Searching for the Surfside

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By Ed Staskus

“Whenever we leave home, to Ontario or New Brunswick, I always say we are crossing into another world, into a strange world, into Canada,” said Marie Bachand. “I always ask Louie did you bring our passports?” She always asks in French because her partner Louie Painchaund doesn’t speak English.

It was a cumulus cloud high sky day when they went to Prince Edward Island. They didn’t have their passports. Who wants to look like their passport picture on a sunny summer day, anyway?

They live in Saint-Gregorie in Quebec, a community of the city of Becancour, on the south side of the St. Lawrence River. Their house dates to the 1780s, built by refugee Acadians after the French and Indian War. “They came down the St Lawrence River, four hundred families. It was a rough time. They stopped, said OK, looks good, and settled here.”

It is about six hundred miles to Prince Edward Island, up the St. Lawrence, down New Brunswick, and across the Confederation Bridge to PEI. The first time they went they were touring the Maritimes. The island was a spur of the moment runaround. They drove across the Northumberland Straights on the nine-mile-long bridge to the other side.

“We thought we could run over and visit PEI in one or two days,” Marie said. “It’s so small.”

Even though it is pint-sized, the smallest of the ten Canadian provinces at just a little more than two thousand square miles, compared to Quebec’s almost six hundred thousand square miles, it goes over big.

Ten years later, even after Andy’s Surfside Inn is no more, they still go to Prince Edward Island two weeks in the summer, staying at the Coastline Cottages up the hill across the street, riding their bikes all over the place, still finding substantial fresh things to rack up on the to-do list.

The inn was on the ocean side of North Rustico, near the entrance to the harbor, a white clapboard two-story house with a dozen windows, two dormers and three porches on the side facing the water. A broad lawn slopes down to the cliffs. It wasn’t always the Surfside Inn and isn’t the Surfside Inn anymore, having since taken up where it left off, back to being a home.

“The first house was bigger,” said Kelly Doyle.

Kelly’s grandparents, Mike and Loretta Doyle, were visiting and playing cards at a neighbor’s house one winter night in 1929. Their friends lived about a mile away. At the end of the evening, going home in their horse-drawn sled, they crested a frozen hill. A red glow lit up the sky and flared across the flat cove below them.

The house was being swallowed up by fire. The pitch-dark night was blazing. They had left seven children behind in the care of the eldest.

“It was a flue fire,” said Kelly. “It burnt down because of the stove.”

By the time the Doyle’s raced their sled down to the house, and finding all the children safe and sound outside, there wasn’t much they could do. There were no neighbors nearby to help and there was no fire department. Mike Doyle was able to drag some furniture from the first floor out the front door and saved as many fox furs as he could.

The house was rebuilt the next year and finished the following year.

“The foxes my grandfather saved built the new house.” Kelly’s grandfather was a fox farmer. What he sold the pelts for paid for the work of the itinerant immigrant tradesmen who built the house.

Furry garments are made of furry animal hides. Even though it has lately fallen on hard times, fur is one of the oldest forms of clothing. Once we started globe-trotting out of Africa, to where everywhere else was colder, we started wearing furs. Ever since, people have worn beaver racoon sable rabbit coyote wolf chinchilla opossum mink and foxes.

Mountain men wore the bears they shot and killed.

In the 1880s foxes were bred for the first time, accomplished on Prince Edward Island by locals Charlie Dalton and Robert Oulton. Theirs was the original fur farm in 1884. Within several years the rush was on. But the rush didn’t really and truly mushroom until after a pelt sale a few years later when their harvest of 25 skins brought them nearly $35 thousand dollars. It was a boat load of a barn door of money, bearing in mind that the average island farm worker those days made less than $30 dollars a month.

In 1926 nearly nine hundred live silver foxes were shipped from Summerside to the United States. It was the most valuable shipment in the history of Prince Edward Island up to that time and is still called the ‘Million Dollar Train’. Andy Doyle was born the same year, spunky and healthy, although nobody ever called him the ‘Million Dollar Baby’.

By the 1930s the fox farm industry was strong as a bull, raking in multi-millions of dollars. There were hundreds of thousands of foxes being farmed and skinned coast to coast throughout Canada and the United States.

“The furs my grandfather was able to rescue from the fire were worth five thousand. In the end the new house cost five thousand,” said Kelly.

“We stayed at a country inn, at the information center at the bridge they said it was nice, but it was a little room, yuk,” said Marie. She picked up the official PEI tourist book. Where to stay next? She thumbed through the book. She put her finger on Andy’s Surfside Inn. “I say to Louie, what’s that, the north shore? We had already decided to stay three or four more days. We went looking for it.”

Gavan Andrew “Andy” Doyle was 81 years old in 2007 when Marie and Louie went driving up and down the north shore looking for his eponymous inn. Andy had been born in the white house that was the inn. Years later, grown-up a young man, pushing off after World War Two, he landed in Montreal, married, brought up three stepchildren, and years later, when his wife Vivienne died, went back to Prince Edward Island.

His mother died shortly after and he inherited the house on Doyle’s Cove. “My aunt, his sister in Montreal, always had a soft spot for Gavan. She helped him get the place up and running. She bought a bunch of nice furniture for him,” said Kelly Doyle. It was the late 80s. Andy Doyle resurrected the Surfside Inn that had been his mother’s brainchild in the late 40’s.

“When my grandfather died in 1948, my grandmother wanted to make some money with the house and started taking in tourists,” said Kelly. “There was a white picket fence, she had ducks and geese and sheep in a big barnyard, and she kept a garden.” It was a large working garden. “She fed the bed and breakfasts herself.”

As her six girls and two boys grew up and left home, she converted their rooms to guest rooms.

“She filled those rooms all through the 50s and 60s,” said Kelly. “PEI wasn’t like the rest of the world back then. Tourists found the way of life interesting, honest and down-to-earth. There wasn’t much entertainment, but there was always lots to do. They just liked the place.”

When Marie telephoned the Surfside Inn, a Japanese woman answered the call.

“Andy always had Japanese girls, three girls, housekeepers for the season who were exchange students who wanted to learn English. They shared a small bedroom over the kitchen. She told us, yes, we have a room.”

Louie and Marie drove up and down Route 6 between Cavendish and North Rustico searching for the Surfside Inn. When they couldn’t find it, they finally stopped at a National Parks kiosk and got directions. It was in the park, although on private land, Doyle’s Land on Doyle’s Cove. They drove down the Gulf Shore Parkway, past Cape Turner and Orby Head, and down to the coastal inlet.

When they got there, there wasn’t a room. There were four rooms that shared a bath. They were all taken. What Marie and Louie didn’t know was that there was a fifth room on the ground floor, which was Andy’s bedroom with a private bath.

“When we are full, he gives you that room,” explained the young woman.

“We’ll take that,” said Marie. “Where does Andy go to sleep?”

“He sleeps in the boat.”

The Japanese girls did the heavy lifting in return for being able to learn English. “I don’t know where they learned it, but it wasn’t from Andy,” said Marie. “He never talked to them.” They came from away, 6500 miles away, and found their own way to talkfests.

Outside the house was a cast-off wood lobster boat. The hull and forward cabin were worthy enough, although it needed some planks and rib work. it looked like it still had some spirit to it, like it could still make a living at sea if it had to.

“It smelled bad, all old stuff papers tools junk a small bed,” said Marie. “It should have been burned long ago.”

The Surfside Inn had a kitchen with several refrigerators. “We thought it was just for breakfast, but we saw other people storing food and making supper.” They started shopping at Doiron’s Fish Market on the harbor road. One suppertime Andy saw them coming into the kitchen with lobsters.

“Let me fix those for you,” he said.

“Oh, my God,” said Marie, “he was good. Tack, tack, tack, all done.”

They started bringing their own wine from home, though.

“I don’t like PEI Liquor wines. We brought Italian and French whites and rose for the fish.”

Coming back from Doiron’s one day, putting away fresh cod wrapped in Kraft paper, Marie noticed small buckets of frozen milk in the freezer.

“There was a Muslim couple staying at Andy’s, the guy was always in the living room, but she was wrapped up, always going to the bedroom. She didn’t talk. At breakfast, no words. She looked at her iPad, that’s all.”

The mother was expressing her breast milk and storing it. She kept it in the back of the freezer, the coldest part of fridges. One day all the milk was gone.

“We never saw the baby, though, maybe it was somewhere else, with a grandma.”

“Tourists in the 50s and 60s weren’t from Monkton or Toronto,” said Kelly. “Some were from the States, but a lot of them were from Europe. We lived next door and ran around the yard, having fun, meeting people. In 1970 my grandmother got a little bit ill and couldn’t keep it going. She lived alone for seven years until my dad moved her into the senior citizen’s home in North Rustico.”

The white house was empty for about ten years, for most of the 80s. It came back to life as the rooms filled up. In summertime it was never vacant.

“You could see the sea right in front of you,” said Marie. “We sat on the porch every day. It was a special place. After a week we would say, let’s stay another day, then another day. Other people, too, were crazy about this place.”

One day Andy asked Louie to help him take an old heavy bicycle out of the lobster boat. “You’re a big guy, you can do it,” said Andy.

When the bike was on the ground Andy straddled it and pedaled to the downhill on the all-purpose path. “He was going down the hill, but Louie told me there were no brakes. Stop! Stop! I yelled but he yelled back, I’ve been riding this bike for thirty years!”

Whenever Andy pulled his four-door sedan out to run errands or go to the grocery, Marie and Louie kept their distance. “I don’t think there were any brakes on his car, either,” she said.

He seemed to own only three short-sleeve shirts. “I have three nice ones,” he said. “I got them for a dollar each at the Salvation Army.” One was yellow, one green and one blue. The blue shirt was his favorite. He dried all his laundry on an outside clothesline, in the sun and ocean breeze.

“All the guests, they were from Canada, the United States, Italy, England, all over. A Chinese couple had a four-year-old who had been born in Quebec, so they named him Denis. Whenever we saw a Chinese child after that we always called the child Denis Wong. There was a couple from Boston, they lived in the harbor on a boat there. He was 80 and she was in her 70s.”

“I didn’t come with my boat. I came with my girlfriend,” he said.

“There is no age,” said Marie. Until you find out your grade school class is running the town city province country.

Aging and its consequences usually happen step-by-step, sometimes without warning. One minute you’re only as old as you feel and the next minute you don’t feel good. It’s like going on a cruise. It can be smooth sailing or a shipwreck. Once you’re on board, though, there’s not much you can do about it.

“There were always many guests, but suddenly a few years ago Andy started getting mixed up. He forgot reservations, there were two Japanese girls instead of three, it wasn’t the same.” What it takes to make an inn work wasn’t getting done. By 2016 it was far more vacant than occupied and Marie and Louie were staying at Kelly Doyle’s Coastline Cottages up the hill across the street.

“Andy introduced us to him,” Marie said.

Like Dorothy said at the end of ‘The Marvelous Land of Oz’, “Everything has to come to an end, sometime.”

In 2018 Andy Doyle moved to the Garden Home in Charlottetown and his nephew Erik Brown took the house over, renovating it and transforming it into his home. In November Andy died. He was 92. It was the end of the Surfside Inn.

“On the ocean was wonderful,” said Marie. “Once we found it, Louie and I loved the Surfside.”

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com Paperback Yoga http://www.paperbackyoga.com 147 Stanley Street http://www.147stanleystreet.com and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

Born on the Barachois

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By Ed Staskus

“Everybody went to church back then,” said Connie Lott. “Especially in a small community like South Rustico. My goodness, we all went. I just walked up the road from home to the church and the school. It was the same way we walked to the beach and went swimming.”

Walking to the beach was easy. There is ocean to see and wade into on three sides of the school and church.

There were four classrooms to the school and eleven grades, overseen by the Sisters of Notre Dame. Many of the nuns came from the Magdalen Islands, an archipelago not far away in the Gulf of St. Lawrence. “They were one hundred percent French,” said Robin Lott. “Connie’s French is fluid to this day.”

“He means fluent,” said Connie.

“My teachers were Mother Saint Alphonse, Mother Saint Theodore, and Mother Saint Cyril, who was sort of icky,” she said, almost seven decades later. “Kids came to our school from all over, from Hope River and Oyster Bed Bridge.”

South Rustico is on the north-central shore of Canada’s Prince Edward Island, where Route 6 and Church Road cross. The Lion’s Club, caty-corner to the church, hosts ceilidhs featuring local talent in the summer. There is a handsome beach on Luke’s Creek, which is a bay on the far shoreline, near the National Park.

“I went to mass once twice in twelve hours,” said Robin, Connie’s husband. “We were dating, I was on the island, and her mother insisted we go to church Saturday night before stepping out. So, OK, that’s it, we go. Sunday morning they wake me up and say it’s time to go to church again. I said, what? I thought, I must be desperate for a girlfriend!”

“You must have really liked me,” said Connie.

Built in 1838, the oldest Catholic Church on PEI, St. Augustine’s in South Rustico was already an old church when Cornelia ‘Connie’ Doucette and Robert ‘Robin’ Lott got married there in 1960.

“Our wedding party was in Connie’s yard,” said Robin “The barn was behind the house and they brewed homemade beer. We didn’t have five cents to rub together.”

Connie Doucette was born at home in 1938. “I lived in what is now the Barachois Inn on the Church Road,” she said. A barachois is like a bayou, what Atlantic Canadians call a coastal lagoon separated from the ocean by a sandbar. But the home she grew up in wasn’t where she was born, nor were her parents the parents she was born to.

“When my twin sister and I were born, our mother died,” she said.

Her father, Jovite Doucette, a farmer with eight children, owned a house behind the church and croplands between Anglo Rustico and the red sand shore. “Where the new school was built,” said Connie, “that was once part of his fields.” Suddenly a widower, he was unable to care for the newborns of the family.

Cornelia and her sister, Camilla, were placed with foster families. Her sister went to Mt. Carmel, on the southwest side of the island, while she became a permanent ward of the Doucette’s, a husband and wife in their 50s, who lived down the street, literally down the street, on the front side of the church.

“It wasn’t traumatic,” said Connie. “I saw my brothers and sisters, and my father, all the time, and my foster parents made sure I saw my twin sister now and then.”

The Doucette’s she went to live with were islanders who had long worked in Boston as domestics, saved their money, and returned to Prince Edward Island, buying a house and farm. They kept cows and some horses. The Doucette’s were childless, and despite the surname, no relation to Connie’s family.

“I was spoiled since I was their only child,” said Connie “They were older and well-to-do. We had a car, a Ford. I didn’t do too much, although I might have milked a cow once in awhile.”

Before mid-century most of the roads on Prince Edward Island were dirt or clay, muddy when it rained, dusty when it was dry. The first paved road, two miles of it, was University Avenue in Charlottetown, the capital, in 1930. “They eventually paved the road up to the church,” said Connie. “We used to say, ‘Meet me at the pave,’ which was where the pavement ended.”

“Our generation, their children have built modern homes on the island, it’s not as basic as it used to be,” said Robin.

“Everybody’s got washers and dryers now,” said Connie.

Her mother’s sister washed clothes by hand in a washtub and dried them on the line. “We visited them in the late 1960s,” said Robin. “Their house didn’t have running water or electricity. I went out to the well and pulled the bucket up. There was meat and butter in the bucket.”

“That was their refrigeration,” said Connie.

“They finally moved across the road to an old schoolhouse that had power,” said Robin.

“They had thirteen children,” said Connie.

Although he was born in Quebec in 1936, Robin grew up in Ontario.

“My father worked on the boats all the time, Montreal to Thorold, where the locks are, and we ultimately moved there,” he said. From Montreal the passage is down the St. Lawrence and across the length of Lake Ontario to Niagara. The Welland Canal at Thorold, sitting atop the Niagara Escarpment, is ‘Where the Ships Climb the Mountain.’ Standing on viewing platforms, you can watch enormous cargo ships pass slowly by at eye-level a few feet away from you.

When he came of age Robin Lott joined the Royal Canadian Navy.

In the Second World War the Canadian Navy was the fifth-largest in the world. During the Cold War of the 1950s and 60s it countered emerging Soviet Union naval threats in the Atlantic with its anti-submarine capabilities. “We were off the coast of Portugal when my mother telegraphed me that she and Connie had decided I was going to get married,” said Robin.

The executive order said to be ready in October.

Robin and Connie met when she went to nursing school in Halifax, Nova Scotia, where Robin was stationed with the fleet. “I was working a little job at the Charlottetown Hospital,” said Connie. “A friend of mine told me about the nursing course in Halifax. Right away I got the bug.” It was 1956. She and her friend enrolled and her friend’s father drove them to Nova Scotia.

After nursing school, as part of her scholarship agreement, she worked at the Sunnybrook Military Hospital in Toronto. “They gave you $70.00 a month to live on.” She and Robin dated long-distance style. “Whenever I got leave I would pick her up in Toronto and take her to visit with my parents in Thorold,” said Robin. “That’s how I introduced her to my family.”

At the same time, Connie was introducing Robin to Prince Edward Island

One afternoon, making his way from Halifax to Rustico, coming off the ferry in January and driving up Route 13 from Crapaud, he was stopped by a snowdrift in the road.

“The road went down a valley and there was literally six feet of snow piled up,” said Robin. He reversed his 1955 Pontiac back to where his rear tires could get a grip on a stretch of clear road. “I hit the gas as hard as I could, went as fast as I could, hit the snow, everything disappeared, and I came out the other side. By the time I did the car was barely moving.”

Commuting between Nova Scotia and PEI, Robin rode the Abeigweit. Before the Confederation Bridge opened in 1997, the ferry was one of the busiest in Canada, the island’s lifeline to the mainland. Commissioned in 1947, ‘Abby’ was in its time the most powerful icebreaker in the world, capable of carrying almost a thousand passengers and sixty cars, or a train of 16 passenger cars. Its eight main engines drove propellers both bow and stern.

“I used to take the ferry across when we were dating,” said Robin. “You had to sleep in your car if you missed the last one. We would be lined up single file down the road, there were no parking areas back then, a hundred cars inching along trying to get on the first boat in the morning.”

In the dead of winter, crossing the Northumberland Straight from Cape Tormentine, New Brunswick, to Port Borden, Robin Lott stood bundled up against the cold wind hands stuck in mittens leaning over the bow watching ahead as the heavy boat broke through foot-thick ice.

“It would crunch gigantic pieces of ice and turn them over like ice cubes as it went across,” he said.

After they married the Lott’s didn’t stay on Prince Edward Island. “Both of the family farms were no longer farming,” said Robin. “I had an offer to partner in a fishing boat, but I didn’t take that up.” They moved to St. Catharine’s, the largest city in Canada’s Niagara Region, not far from Thorold. They rented an apartment and got busy.

By the time Connie was pregnant with the second of their four children they had bought a bungalow with a 185-foot deep backyard, near Brock University. “We had plans about moving, but we had a low mortgage on this house, so we never did,” said Robin.

They still live in the same house fifty-five years later.

“Those days we used to all climb in our station wagon on a Friday payday and go to the grocery store,” said Robin. There was a meat packing plant in the city and an adjacent store called Meatland. “They sold hot dogs in three-pound bulk bags.”

It’s been said you know you’re from St. Catharine’s if you know the difference between Welland and Wellandport, were in the Pied Piper Parade at some time in your childhood, ate fish and chips at the north corner of the Linwell Plaza, can drive through downtown without getting confused, pissed in the Lancaster Pool, hate Niagara Falls, and bought cold cuts at Meatland.

“When we went on holiday we took our four children and went camping,” said Connie. “We had a hard top tent. We went all over, as far south as the Teton Mountains near Yellowstone Park and as far north as Peace River.”

It is almost two thousand miles from St. Catharine’s to Peace River, and another forty miles to Girouxville. Towing their hard top trailer, their four children in tow, the family piled into their station wagon to visit Connie’s four uncles living there. Her natural father’s brothers had all long since moved from Prince Edward Island to Alberta.

The Peace River valley’s rich soil has produced abundant wheat crops since the 19th century. The town of Peace River, at the confluence of three rivers and a creek, is sometimes called ‘The Land of Twelve-Foot Davis.’ Henry Davis was a gold prospector who built a trading post in Peace River after he made a fortune on a tiny twelve-foot square land claim. After his death a 12-foot statue of him was erected at Riverfront Park.

“It was one of the highlights of our trip,” said Robin, about their excursion out west in 1976.

Girouxville is a small French-Canadian community surrounded by enormous farms. A hundred years ago the local Cree Indians called it ‘Frenchman’s Land.’ Every four years Chinook Days are celebrated. Besides farming, there are thousands of beehives, hunting for elk and moose, and good fishing on the Little Smoky River,

“Three of the brothers homesteaded, the three stronger ones,” said Robin. “In those years you could go up there, it was all bush, and if you cleared the land and farmed it, it was yours. They pulled out stumps and ended up with farms so big they weren’t described by acre, but by section.” Spring, durum, and winter wheat are grown on almost 7 million acres in Alberta. The average farm size is close to double the size of farms on PEI.

The fourth Doucette brother became a schoolteacher, opened and operated a store, married, and propagated a large family.

“We pulled into this little town with our trailer and kids,” said Robin. “Then it occurred to us we had no idea where they lived.” Spying the town’s tavern, they parked in front of it. Robin went into the tavern. He told the bartender he was looking for Emile Doucette. The bartender looked at Robin and bobbed his head at a table set along the back wall.

“Why don’t you ask his brother Leo over there,” he said.

“He was a single man, quite a drinker,” said Connie. “What else do you have to do after working all day on a farm? He eventually bought the tavern.”

That night Doucette’s gathered from far and wide for a reunion dinner. “Everybody came, everybody got together,” said Robin. “We talked long into the night and it was still light enough to see.” In northern Alberta in the summer the sun rises at five in the morning and doesn’t set until almost eleven at night.

The night before they left to go back to St. Catherine’s Uncle Leo invited them to his farm.

“We were having a beer when he said he wanted me to go into his bedroom and pull the suitcase out from under his bed,” said Robin.

“Open it up and count out some money for Connie and Camilla,” said Uncle Leo.

“It was full of cash, honest to God,” said Connie. “We just about died.”

“I was nervous, what if somehow or other he thought I had taken one dollar more than he told me to do,” said Robin. “But then on the mantle in his living room I saw checks for crops he had sold, thousands and thousands of dollars, none of them ever cashed.”

Robin and Connie have gone back often to Prince Edward Island, most recently the past summer when they traveled to the island for the marriage of a granddaughter. They enjoy eating the local seafood, especially oysters, mussels, and lobster. At one time they ate as much whitefish as they wanted.

“When we first started coming back here I would go out with friends who were fishermen and it was nothing to hand line 1500 pounds of codfish in the morning,” said Robin. “But that was all shut down thirty years ago.”

“We ate fish, potatoes, carrots, and turnips when I was a girl,” said Connie. “That was about it. Whenever we went to Charlottetown we ate at a Chinese restaurant, but that was as much as I ever knew. Before I came to St. Catharine’s I had never had Italian food. After I married, my cousin and a friend of hers said, we’re coming over to make dinner. We’re going to make spaghetti. I thought, yippee.”

In the years since, the Lott’s have discovered fare across Canada and the United States, in Spain, England, Austria, and Denmark. “I like to travel,” said Connie. “We’re going back to Mexico at the end of the year.”

“It all started when she came to St Catharine’s,” said Robin. “Our community has every nationality you can shake a stick at, Irish, Italians, Russians, because of the construction of the canal system. There are cabbage rolls and pierogies and souvlaki.”

When Connie’s daughter travels to Prince Edward Island on business, she has stayed at the Barachois Inn. “She told me my old house has changed a little bit, one of the rooms now has an en suite bathroom, but it’s still owned by the same people who bought it,” said Connie.

Not much is better than going from one home to another home to family and eating good food. When Robin and Connie Lott are on PEI they sometimes stop at Carr’s Oyster Bar in Stanley Bridge, zigzagging up the coast to the other side of the Rustico lands, and have lunch on the ocean.

“We love seafood,” said Robin. “It’s our heritage,” said Connie. They eat on the sunny open deck overlooking the dark blue water of the New London Bay. The dark water isn’t new. It’s been there a long time.

The being on the seaside, mind’s eye on the barachois, when it’s a living heritage, is like diving into the long-time ocean and being able to see how deep it is. Or it’s kicking back, digging deep right now into a plate of mussels lobsters white fish and raisin pie, watching kids jump off the Stanley Bay bridge into the briny water. It might be both things at once.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com Paperback Yoga http://www.paperbackyoga.com 147 Stanley Street http://www.147stanleystreet.com and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

Big Ass Bowl

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By Ed Staskus

There is plenty of good better best seafood chowder on Prince Edward Island, since there is plenty of seafood on all sides of the crescent-shaped province. There are cultured mussels and lean white halibut and wild-caught lobster. The chowder comes in cups and bowls. Some of the bowls are bigger than others and can be meals in themselves.

There is only one Big Ass Bowl, however.

“We had a large bowl of chowder last year, but I don’t see it on the menu anymore,” said Frank Glass to the young man who was putting glasses of water down on their table.

“We have a really good seafood chowder,” he said, pointing to the menu.

“Is it a big bowl?” asked Frank.

The young man sized up an imaginary bowl with his hands.

“No, the chowder we had was in a bowl about twice that size,” said Frank.

“Oh, you mean the big ass bowl.”

“The what bowl?” asked Vera Glass, sitting across from her husband. They were at a table at one of the windows overlooking the Clyde River. On the far bank the red roof of the PEI Preserve Company, where jams and jellies are made, glowed in the roll-up of dusk.

“That’s what we call it in the kitchen,” the young man said. “We don’t call it that on the menu, obviously. If you want it, I can ask, and I’m sure we can make it for you.”

“You’ll just clear the decks and whip it up, even though it’s not on the menu?” asked Vera.

“Sure,” said the young man.

“Sweet,” she said.

Vera and Frank Glass were at the Mill, a snug as a bug up-to-speed restaurant in New Glasgow on Prince Edward Island.

It is neither a small nor big roadhouse, seating maybe fifty diners, right on the road, on a zigzag of Route 13 as it runs south from coastal Cavendish through New Glasgow to Hunter River. There is a performance space on the second floor and a deli case just inside the front door full of pies and meat pies. The building is blue, two–story, and wide front-porched. It is kitty-corner to the bridge that crosses the snaky river. The Mill describes itself as “carefully sourcing seafood, steaks and entrees served in a rustic yet refined space with scenic views.”

That’s hitting the nail on the head.

It was the night before Hurricane Dorian slammed into PEI, even though it wasn’t a hurricane anymore when it did. It was a post-tropical storm, which is like saying you took it on the chin from a cruiserweight rather than a heavyweight boxer.

“Under the right conditions, post-tropical storms can produce hurricane-strength winds,” said CBC meteorologist Jay Scotland the day after the storm. “Dorian serves as a good example that the difference between a hurricane and a post-tropical storm is more about the storm’s structure and not its intensity.”

On Saturday morning, moving north, it sucked up energy from another weather system moving in from the west. The winds spreading over the island grew to hurricane strength during the day and the storm unrolled over a larger area than Hurricane Juan, the “storm of the century,” had done in 2003.

“Look who’s back,” said Vera, looking over Frank’s shoulder.

“Who?”

“Michelle.”

“Good, maybe she’ll be our waitress.”

“She looks better tonight, not so spaced.”

“Didn’t she have to go home the last time we were here?”

“I think so.”

“Hi, how are you?”

“Good,” said Michelle. “I see you two have made it back again.”

“This is our third time here in three weeks, although we’re leaving for home on Sunday,” said Vera.

“So, you’ll be here for the storm.”

“It looks like it.”

“Where’s home?”

“In Ohio, Lakewood, which is right on the lake, just west of Cleveland,” said Frank. “We get thunderstorms that come across Lake Erie from Canada, but nothing like what we’ve been hearing is going to blow up here in your neck of the woods.”

Hurricane Dorian hit home like a battle-ax.

“The result was much higher rainfall and more widespread destructive winds across PEI with Dorian compared to Juan,” said Jay Scotland, the weatherman.

On Monday Blair Campbell, the chief executive officer of PEI Mutual Insurance, said they logged the most claims ever on Sunday, the day after the storm. More than four hundred policy holders called in property damage.

“These are damage claims in the frequency and magnitude that we have not seen before,’’ he said.

Fishing boats from Stanley Bridge to Covehead were smashed submerged.

“Sobeys in Charlottetown this morning was worse than Christmas,” said Michelle. “You couldn’t get anywhere with your cart. Everybody was buying dry cereal, canned fruit, ready-to-eat, and cases of water.”

Frances MacLure was stocking up.

“So far I have just bought batteries,” she said.

“I have two radios and I’m just going to make sure one of them is going to work. It’s always nice to be able to keep in touch if the power is out for any length of time,” she said.

There were water and sandwich makings on her list, as well.

“Just for a quick bite if the power goes off.”

“Everybody was buying batteries,” said Michelle. “The last time a hurricane came to the island, power was out for more than a week.”

“We are very concerned, we’ve certainly spent the last three days in readiness, in going through all of our checklist and checking our equipment,” said Kim Griffin of Maritime Electric as the weekend approached.

“There is a lot of greenery and foliage on the trees, that is a concern to us. So, we are really asking our customers to make sure they are prepared and ready.”

“When was that?” asked Frank.

“About fifteen years ago,” said Michelle. “Summerside has its own power, but if it goes out in New Brunswick, this whole part of the island won’t have any power.”

“Do you still have that moonshine cocktail?” asked Vera.

“We do,” said Michelle.

Vera had an Island Shine and Frank had a pint of lager.

“Are you going to have the big chowder?” asked Vera.

“Yes,” said Frank.

“I’m going to have a small bowl of soup and the ribs,” said Vera. “What about going halves on the lamb and feta appetizer? It’s good with everything.”

“Sure,” said Frank, agreeably. “You can’t go wrong with the ribs, and the mac and cheese they come with. That cheese from Glasgow Glen, it’s good. I had it the last time we were here.”

“I hope Emily has the sweet potato curry soup tonight,” said Vera. “Curry is my number one favorite thing in the world.”

“What about me?”

“You’re close, maybe third or fourth.”

“That close, huh?”

“You don’t like curry, which is a problem. I think Emily is a curry person, like me. She probably does a great Fall Flavors menu.”

The Mill’s owner and chef Emily Wells was born in England and lived on the continent before coming to Prince Edward Island in 1974 when her parents bought Cold Comfort Farm. She is a graduate of the Culinary Institute of Canada, committed to healthy local food and ethical food production. She has worked in restaurants in PEI and Ontario for more than three decades and is a key contributor to the River Clyde Pageant.

The pageant, four years running, is about the tidal river, and features great blue herons, trout puppets, schools of dressed-up jellyfish, bridge trolls and mermaids and fishermen.

“I love it when you put curry in things, but then all of a sudden you don’t taste anything else. I feel like you can taste everything else in her soups.”

“It’s like her chowder, it’s chock-full, but nothing’s drowned out, all the parts stand out,” said Frank. “It’s not too busy.”

“Everything here is always better than I expect, even though I always expect it to be good,” said Vera.

“My boyfriend is a chef at the Blue Mussel in North Rustico, and it’s hard for us to get a day off in the summer on the same day, so we hardly ever eat out,” said Michelle.

“After eating here and at the Mussel, we don’t always want to go, anyway, but we ate out in Charlottetown a few weeks ago, and the chowder we got was mostly a milky liquid, with so little fish in it. We poked around for whatever we could find but ended up asking for another loaf of bread. We got it to dunk into the chowder, because there were hardly any pieces of anything.”

From one end of PEI to the other pieces of preparation were coming together.

“We have been busy as a team,” said Randy MacDonald, chief of the Charlottetown Fire Department, the day before the storm. “Our team has been making preparations for tomorrow’s storm.”

He said chainsaws and generators were on hand. “We may see trees down, branches down, large branches taking down power lines, that sort of thing.” Rapid response cars, trucks, and ambulances were gassed full and staff was on the alert, ready to go.

While the tempest was rolling up the coast, Michelle didn’t just rush to Sobeys. She took matters into her own hands, in her own kitchen, in her own house.  “I live just down the road from here, next to the Gouda place. I send my son there for pizza, since he can walk over.”

The Gouda place makes artisan cheese.

“I’ve passed my name and my expertise on to Jeff McCourt and his new company Glasgow Glen Cheese,” said the former Cheese Lady, Martina ter Beek.

Glasgow Glen Farm slaps out skins from scratch, down the line doing the dough to sprinkling homegrown veggies and meats on the pie, featuring their own made from scratch gouda, working behind the front counter at two long tables just inside the door, wood firing the pizzas in a brick oven.

In the summer there are picnic tables alongside the gravel parking lot, a grassy field sloping away from a pile of cordwood.

“I made chowder,” said Michelle. “It was a fishy stew, like Mel does. I ended up using cod, clams, and scallops. I made everything else, clam juice, potatoes, carrots, onions, and tomatoes out of my garden. Once the potatoes were almost completely cooked, I took the pieces of cod and sat them on top. I put a lid on it and all the flavor, yeah, of the cod went into it.”

She didn’t need any bread to help her chowder out, either.

While Vera pulled gently at her baby back ribs, Frank started scooping out his large bowl of broth and seafood.

“How’s the sinkhole?“ asked Vera.

“So far so good,” said Frank. “It’s sort of like a Manhattan clam chowder, like the Portuguese make, and like a seafood goulash at the same time.”

“Like a cioppino.”

“Like a what?”

“That’s the official name of it,” said Vera.

“Anyway, I can taste bay leaves and thyme, and there might be some oregano in it. It’s loaded with stuff. She must have hit the motherload at the fish market. There are mussels, halibut, lobster, a chuck of salmon, and mini-shrimps.”

“Emily probably uses whatever she has on hand,” said Vera.

“On top there’s a red pepper rouille, almost like a pesto, which gives it a kick,” said Frank.

“Are you going to be able to finish it?”

“I’m going to give it my best shot.”

Halfway through their meal, when Vera spotted a plate of maple mousse walking by, she said to Frank, “That’s what I want to try for dessert tonight. It’s frozen mousse, like ice cream. I thought it might not be good for sharing, but that thing is more than big enough.”

“All right,” said Frank, “since that Anna kid is a wizard. First, we eat well, then we face tomorrow, no matter what happens.”

The Mill was almost vacated evacuated when they paid their bill of fare and left.

“You wouldn’t know a hurricane is blowing in,” Frank said to Vera as they lingered in the front lot after dinner, leaning against the back hatch of their Hyundai, watching the no traffic on the quiet road, the starry northern sky quiet above them.

When Saturday morning rolled around, it started getting dark, and by noon it started raining. It got windy and windier. The Coastline Cottages and the Doyle houses on the other side of the park road lost power in the late afternoon. Churchill Avenue in town was closed down. The Gulf Shore Parkway east from Brackley was closed down. Roads in all directions were closed down, as utility wires and branches blew away. Fences were flattened, roofs torn off, and hundred-year-old trees toppled.

The damage to the Cavendish Campground, seven-some miles away from where Frank and Vera were staying, was so bad it was closed for the rest of the year. An arc from Cavendish to Kensington to Summerside was walloped. Islanders tarped roofs, sawed up tree limbs, and hauled away debris for days afterwards. On Sunday morning all the trails administered by Parks Canada everywhere on PEI were shut down until they could be assessed.

After their cottage lost power, Frank and Vera packed for their drive home the next day and tidied up while there was still some light. “At least we know the mondo bridge is as sturdy as it gets,” said Vera. When it got dark, 19th century-style dark, they popped open the remains of a bottle of red wine and spent the rest of the night riding out the lashing all-out rain and gusting big ass wind.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com Paperback Yoga http://www.paperbackyoga.com 147 Stanley Street http://www.147stanleystreet.com and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

Jumping Stanley Bridge

Richard Moore, Emma MacIssac and Connor McVey

By Ed Staskus

“It was terrifying,” said Johanna Reid.

She was standing on the outside edge of the bridge in the town of Stanley Bridge, on the far side of the Canadian province of Prince Edward Island, looking down into the New London Bay.

She was 12-years-old. Her father had already jumped from the bridge. The hard flat dark blue of the bay was more than twenty feet below her.

“He didn’t tell me much. I stood on the opposite side of the rail looking down at the water for probably an hour,” she said. “I just couldn’t do it. I finally closed my eyes and jumped feet first. It took a lot of effort. After I hit the water I thought, Oh, my gosh, why couldn’t I have done that before?”

Now 20-years-old she’s been jumping every summer ever since. The Stanley Bridge is a simply supported beam-style bridge on Route 6 where it crosses the Stanley River. Built in the 1960s to replace a worse for the wear wood overpass, it is made of steel with a concrete deck. There is a sidewalk on the jumping side.

“The first couple of times I jumped I screamed, but now I just get up there, crawl over the railing, and go.”

Prince Edward Islanders living on the north central shore have been jumping the Stanley Bridge for as long as anyone can remember. “I used to jump off the bridge in the 1950s,” said Harriet Meacher. “Fun fun.”

“We all jumped off the bridge,” said Phyllis Carr, whose Carr’s Oyster Bar, on the near shore of the bay, is a few hundred-or-so yards from the bridge. Anyone on any summer day can sit on the outdoor dining deck of the eatery with a pint and a plate of shellfish and watch jumpers all day long.

“My brother Leon was only 4-years-old when he first jumped. It’s a tradition.”

The bridge at Basin Head, one of PEI’s better-known beaches on the eastern end of the island, is the other launching pad popular with jumpers. The Basin Head Bridge spans a fast-flowing boat run that is capable of rushing jumpers out into the Northumberland Strait, another way to get swept off your feet. Although signs prohibit any and all jumping, it is honored more in the breach.

“It’s one of those time-honored traditions here on Prince Edward Island, and from when I was down there watching the activities, people were really enjoying their experience,” said Tourism Minister Rob Henderson.

“A lot of people do it,” said Johanna about jumping the Stanley Bridge, “especially from around here. My dad lived just up the road and used to jump all the time when he was younger.”

“I dived since I was little,” said Earl Reid.

“I remember seeing people jumping off of it ever since I was born,” said Johanna. “I told my dad, you forward dive, but I’ll jump feet first. I’m too chicken.”

Majoring in Kinesiology, which is the study of human body movement, at the University of New Brunswick, Johanna Reid has played hockey since she was four-years-old, through high school, and continues to play in a women’s conference. A fast fit trim young lady, she has played rugby since she was a teenager and competes in her college league.

“I like making tackles, pulling them down, even when they’re twice my size,” she said.

She may have been a chicken once on the Stanley Bridge, but she takes the chicken out of chicken noodle soup everywhere else.

Some people forward dive off the bridge, others back dive or back flip, but most leap feet first. They do it for good reason

“You can do a starfish, or a belly flop, but that hurts,” said Denver McCabe, Johanna Reid’s 9-year-old cousin, who first jumped Stanley Bridge when he was 8-years-old. “I pencil dive, like a pencil, feet straight in.”

Belly flops are the bane of jumpers. “You never want to belly flop,” said Johanna. It is always a stinging pancake slap of a bad time. The crack of a belly hitting the New London Bay at velocity is the Frankendive of Stanley Bridge.

“One day there were a bunch of tourists jumping, and a little boy, 7 or 8-years-old, was trying to jump with them,” recalled Johanna. “I was swimming back after a jump. He was going to dive, so I watched him, while I paddled around. Halfway down he decided he didn’t want to be diving anymore and started to pull back. He belly flopped. We had to help him out because he was freaking. But, it just hurt him at the time and he was fine in the end.”

“It’s not quite like falling on concrete, but it’s a similar sensation, ” said Dr. Sonu Ahluwalia, a surgeon at Cedars-Sinai Medical Center. “Most of the time, other than ego and the skin, nothing will happen.”

The plucky brave curious come to Stanley Bridge from around the island, from Victoria, North Rustico, and Kensington, as well as some summer tourists from the rest of Canada and the United States. They jump alone or with their friends.

“Nothing says bonding like jumping off the bridge at Stanley Bridge,” said Rika Kebedie of Burlington, Ontario, about jumping with friends.

“When I was 13-years-old a lady was biking by,” said Johanna. “She had just gotten a cottage down the road and we had a chat when she stopped on the bridge. She had her bathing suit on, so I said, you should jump off.”

The woman gave it a thought. “OK, I’ll jump,” she said, leaning her bicycle on the railing and going over the side.

“She jumped off the bridge and survived, and now she’s here every summer, and she said I was her first friend on PEI.”

Jumping the Stanley Bridge starts in mid-to-late May, once the water has warmed up. “Some people jump in early May. That’s too crazy for me. I usually start at the start of June,” said Johanna. “When it’s cold, it’s an instant shock, like someone dumping a bucket of ice water on you. You come up from under the water pretty fast.”

Since the harbor on the bay side of the bridge brims with working fishing boats, and pleasure craft go up and down on both rivers,  the Stanley and the Southwest, spotters keep an eye out for traffic. “I’ve heard someone once jumped and landed on the deck of a boat, but it could be a myth,” said Johanna.

Besides passing boats and belly flops, jellyfish are the scourge of jumpers swimming back to the breakwall or the shoreline dock ladder. “They just float along, their tentacles floating behind them, and they hit you going by. Some days there are huge ones, as big as a pie plate.”

Jellyfish are free-swimming marine animals and are called jellyfish because they are jelly-like. They have no brains and have been swimming the oceans from even before there were dinosaurs. Crabs sometimes hitch a ride on top of them so they don’t have to exert themselves swimming to where they want to go.

Jellyfish never give their crustacean freeloaders a second thought.

“Every so often you can see them from the bridge, so you wait until they go by,” said Johanna. “When they sting you it really stings, it can really hurt. What I do is take some mud off the ocean, rub it on the bite, and you’re good to go.”

The first step off the edge of a bridge into mid-air is a step into a second-or-two of complete freedom. It is where most people never thought they might be. “Once you step off nothing in the world matters,” said Marta Empinotte, a world-class Brazilian BASE jumper, about stepping into space.

In mid-air jumpers find out that they don’t know anything, only that they’re in the nothing of mid-air, even though there’s no such thing as nothing. Once you’re off firm ground there’s nothing you can do about it, anyway. It’s only when you hit the water that you become something again.

“Whenever you go out on the bridge it looks kind of scary when you look down,” said Denver McCabe. ”The water will be 30 feet, even 40 feet down. The last time I jumped, when I checked on my iPad, it was 26 feet.

“It felt like nuthin’.”

The bravery of small boys can sometimes be larger than life, or not.

“But, you don’t want to belly flop, that’s for sure,” he added.

You don’t want to jump into a mass of eels, either.

“We used to jump off Tommy’s,” said Carrie Thompson, whose family owned the aquarium next to the Oyster Bar. She worked summers at the marine exhibit.

“We weren’t allowed to jump off the bridge, so we jumped off the wharf. Maybe the current pushed the eels that way. It was gross.”

On hot days when there is a crew on the Stanley Bridge waiting their turns, motorists often honk their horns while driving by, yelling, “Jump, jump!” Sometimes friends encourage their friends to make the leap, usually by daring them. “I dare you, they’ll say,” said Johanna, “and then they do it, even when they’ve never jumped from the top of the railing or done a back flip.”

Sometimes the encouragement takes the form of a shove.

“I wouldn’t push anyone I didn’t know or who was younger than me” said Johanna, “but if they were my friend, and weren’t going, weren’t doing it, I would just push them right in. The way I do it, I attempt it a few times, freak them out, and when they’re about to jump, it’s get in there! I just push them.”

The fear of jumping can take an unlikely turn.

“One of my friends from Bermuda was scared to get into the water because in Bermuda you can see everything, the water is so clear, but here it’s dark water. He eventually jumped the bridge, but he would only do it back-flipping.”

Joanna Reid has jumped the bridge every summer with every one of her friends. “Pretty much everyone in my high school did it. You could say, want to go bridge jumping, and anybody would go.”

A native of Stanley Bridge, “Yup, born and raised,” she spends autumn winter spring at university in New Brunswick, but her summers at home, kayaking, hanging out with her friends, and waiting tables at Carr’s Oyster Bar, as well as jumping the bridge at Stanley Bridge.

“When it’s a nice day, but there’s no wind, and you’re really hot, I will jump ten times, more-or-less. It cools you off.”

She never loses her cool, either, flying feet first thrill downwards cooling off, off the Stanley Bridge into the sparkling bright easy-landing water of New London Bay.

A version of this story appeared in Literary Heist Magazine.

Photograph by Andre Forget.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com Paperback Yoga http://www.paperbackyoga.com 147 Stanley Street http://www.147stanleystreet.com and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

 

 

 

 

 

Crackerjack in the Mess Hall

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By Ed Staskus

“I see you’ve made it back,” said Michelle, sporting neato retro eyeglasses and handcrafted rings on nearly every finger of every hand. Waiting tables, delivering three four five plates at a time, is two-fisted three-fisted work.

“I have to try the pad Thai, after seeing the folks next to us digging into it the week before last,” said Vera.

‘That’s one of Emily’s best, definitely. Would you like to start with a drink?” she asked, one of the three grown-up servers on the floor the early September weekend evening.

“What is a good mixed drink?” asked Vera, running her eyes up and down the menu.

“Everything, but Kim can mix up anything if we don’t make it.”

“What is Straight Shine?”

“Shine.”

“Like moonshine?”

“It’s our island-made moonshine.”

“Like Ole Smoky in a mason jar?” asked Frank.

“Not the same, it’s served more like a margarita,” said Michelle.

“That’s a step in the right direction,” said Frank.

“My God, I might moonshine,” said Vera. “My grandfather used to make vodka at home. All his friends from Lithuania, who escaped during the war, would come over on Sunday afternoons after church, drinking the rest of the day, reminiscing, yakking it up, and singing their old country songs. OK, I’ll try it.”

“I’ll have a pint, something IPA,” said Frank.

Frank and Vera Glass were at The Mill, a restaurant on a high bank overlooking the River Clyde in New Glasgow, on Prince Edward Island, up the eastern Canadian coast. The eatery is in a two-story Dutch Colonial-like blue building built in 1896. It served as a community center and courthouse, among its many later incarnations. It was converted to a restaurant in the 1990s by the Larkin’s, nearby poultry farmers who are the largest turkey growers in the province.

“We used to have a guy in shipping, in the warehouse, from West Virginia, who brought back moonshine every time he went home for a visit,” said Frank, as Vera sipped her Straight Shine. “He always said you could tell it was good if you put a match to it and the flame burned blue. That meant it was good to go and wouldn’t make you go blind.”

Michelle walked up and lit the tea candle on their table.

“How is it,” she asked

“It looks good to me,” said Vera. “What I mean is, it tastes good.”

When the Larkin’s transitioned out of the dining room business twenty years later, The Mill stayed down home when PEI chef Emily Wells took over, putting her fusion-style stamp on the dining room.

Vera ordered the stir-fried garlic ginger cilantro lemon juice rice noodle fettucine pad Thai with lobster and Frank ordered the special, curry sweet potato soup, baby back ribs with mac and cheese, and dessert. It was East meets West meets Italy. Fusion cooking is the art of mixing ingredients and preparation styles from different cultures into a distinctive dish of tastiness.

The window Frank and Vera were sitting at had gone dark by the time they finished their dinners, although Vera was still on the last lap. She was a slow eater and her plate had been stacked. A quarter-moon in a cloudless sky reflected a milky light in the river. Frank leaned back in his chair as Vera lifted a final forkful to her mouth.

“Since we both ordered something new, why don’t we try something new for dessert, too?” Frank asked Vera.

They had eaten at The Mill several times the past three years and usually ordered coffee and carrot cake after dinner, since the carrot cake was about the best they had eaten anywhere.

“It’s better than my mom’s, and she’s a pro,” said Vera.

Vera’s mother was a freelance pastry chef in Cleveland, Ohio, who during the holiday season mixed in making website-ordered Russian Napoleon cakes, shipping them frozen solid all around the country by Fed-Ex next-day air.

“How about the chocolate cake that couple from Miami told us about?”  asked Vera.

“We move around the island a lot,” said the husband from Florida. “We’ve eaten at a lot of restaurants but overall this is our absolute favorite.”

“What’s so great?” said the lady of the house. “The unique combination of flavors and menu options, and there’s not a deep fryer in the kitchen! They’re dedicated to local food sourcing, which means super fresh food and vegetables. Make sure to try the chocolate cake even if you’re full. It’s made in-house and melts in your mouth.

“And the portions are large, too,” she added.

Unlike more than one restaurant with a swell reputation on Prince Edward Island, in the meantime serving prison camp portions at penthouse prices, The Mill gets it done with a square deal, even though it has as much, if not more, in the culinary arts to crow about.

“Do you bake this here?” asked Vera.

“Our baker does,” said Michelle.

“It’s totally delicious, the dark chocolate, if you want to let the baker know.”

A few minutes later a strapping young woman with disheveled hair walked up to their table.

“Did you make this?” asked Frank, pointing to the half-eaten slice of zuccotto he was sharing with his wife.

“Yeah,” said Anna, wiping her hands on her apron.

“Do you make the carrot cake, too?

“Yeah.”

“It’s our favorite carrot cake anywhere,” said Vera. “Your chocolate dessert is what chocolate dessert should taste like, up-to-the-minute. They can be boring, doing the same thing over and over again. This is definitely bomb cake, in more ways than one.”

“You seem awfully young to be making cake this good,” said Frank

“Yeah,” said Anna with a big smile.

“How old are you?”

“I’m 17-years-old,” said Anna. “I was 15 when I first started cooking here. I came in to work one day, I was bussing tables, and my boss said, you’re scaring everyone out there. You have to go into the kitchen. From that point on I’ve worked in the kitchen.”

“Scaring everyone?” asked Frank.

“Yeah, they said my personality was too big.”

“Too big?” said Vera.

“I was fourteen. How scary could I be?” asked Anna. “I guess I can be scary sometimes. Nothing’s really changed.”

“I told her when she worked out front that she was scaring the customers with her huge personality,” said Kim, the mixologist. “Now that she’s in the kitchen, she’s come up with pet names for all of us. We won’t talk about that, though. It can get gross.”

“What did you guys eat?” asked Anna.

“She had the Thai and I had the special. Last week we both had the big seafood chowder bowl,” said Frank.

“Ahhh,” said Anna.

“I’ve heard you have a name for it in the kitchen.”

“We have a pet name for it, yeah.”

“I tasted orange in the soup,” said Vera.

“Yup, there are orange peels, marinated, and bay leaves, that we take out right before service. We make our own fish broth, and our own vegetable broth, too.”

The new Mill, brainchild of Emily Wells, who was named one of the north’s top chefs by the Matador Network in 2016, serves fresh local food made with global flair. She works in a classic vein, adapting her recipes to what’s in place and on time. “You’re buying local lettuce, local tomatoes,” she said. “A huge chunk of it, it’s seafood season on PEI.” A graduate of the first class at the Culinary Institute of Canada, she cut her teeth in kitchens in Ontario and Prince Edward Island, and made a name for herself at The Dunes in Brackley Beach.

“I’ve been at it for thirty-five years,” she said.

“Oh, I’ve got mussels on the stove, back in a minute,” said Anna, striding out of the dining room.

“I thought Emily was making the desserts, or they were buying them from some high-end bakery,” said Vera.

“If that teenager is the pastry chef, all I can say is, she’s totally up to speed,” said Frank.

“Do you make all the desserts,” asked Vera, when Anna came back to their table.

“Yeah, I’m a line cook and the baker.”

“My mother is a pastry chef,” said Vera. “You’re very good.”

“How did you learn to bake so well?” asked Frank.

“Emily taught me. I‘m a quick learner. I learned a lot from my grandmother. I used to spend all my time with her when I was a kid. She taught me to pickle and bake.”

Not everyone is good with pastry, not by any means.

“I make no bones about it,” says Michael Symon, chef, author, and restaurateur. “I have no understanding of pastry.”

“Honestly, I hate to say this,” said Anna, “but my aunt makes an even better carrot cake than I do.”

“You’re early to be nearly as good as your aunt,” said Frank.

“Most of our staff is young,” said Anna. “Everyone in the kitchen is under 20, except Andrea and Emily. We have a 19-year-old, another 17-year-old, and a 13-year-old, who is my sister. Luke, our other prep, has three younger brothers who work here.”

“It’s like a family line on the line,” said Frank.

If you are under 16 in the province and want to work, you must have permission from your parents, only work between 7 AM and 11 PM, and not work in an environment that is harmful to your health, safety, moral or physical development, among other things. If you are over 16, those limits don’t apply.

“I’ll tell you about PEI and Atlantic Canada, it’s a culture of honest, hard work,” says Canadian Prime Minister Justin Trudeau.

Sometimes known as the “Million-Acre Farm,” farming is king on the island. Farming for a living is hard work. You won’t ever need a gym membership. There are some advantages. You are your own boss, you can go to work in boots and a dirty t-shirt, and you eat like a king.

“I started as a dishwasher,” said Anna.

Working the dish pit means long hours on your feet, getting wet a lot, and ending the day smelling like food and dirt. It’s not markedly different than farming.

“The kids are great,” said Kim. “Ours is a teaching kitchen, so they get an education, and get paid. They all have a great work ethic. The little hostess, she’s fifteen, a crackerjack like Anna. It’s great to see that they want to work. I’ve worked in other places, and it’s like pulling teeth, all standing around. Here, they’re eager to learn and do.”

“A lot of people, their idea of baking is buying a ready-made mix and throwing in an egg,” said Vera. “I make carrot cake at home, but it’s just carrots and stuff. One of our cats likes a piece now and then. Yours is both more subtle and more complex.”

“The main spices we use are ginger, cloves, and cinnamon, and a bit of all-spice, and that’s about it.”

“The cake isn’t heavy, which is what I like,” said Frank.

“There’s pineapple in it.”

“The frosting is terrific,” said Vera.

“I couldn’t come to work yesterday,” said Anna. “I decided my cat died.”

“Oh, my gosh, that’s too bad!” said Vera. “What happened?”

“She was an outdoor cat. I had her since I was six, I came home one day and asked, where’s my cat, but nobody had seen her for days. It’s been a month. I sat outside in my lawn chair until it got dark, but she never came back. I’m pretty sure she got eaten by a coyote.”

After paying the bill, Frank and Vera lingered at the rail on the front deck. The band that had been playing in the loft was in the parking lot, still hooting it up. The night air was damp but brisk. The moon hovered in the inky sky. Across the street, lights glowed over the bay doors of the New Glasgow Volunteer Fire Department.

“That girl might be one of the best 17-year-old pastry chefs no one has ever heard of, not anywhere, except for right here,” said Frank.

“Besides the known and the unknown, what else is there?” said Vera.

“That moonshine seems to have gone to your head,” said Frank.

“Ha, ha. Anyway, she’s got a big smile, big energy, and some scary cake talent. Somebody will hear about her, sooner or later.”

There’s always a “Surprise Inside” every box of Cracker Jack.

They walked to the end of the deck leading to the side lot. Fluorescent lights blazed the windowpanes. Dishes clattered through the open windows, the kitchen staff having a gab fest as they cleaned up. They heard a rowdy high-spirited laugh, which followed them down the steps and stretch of gravel to their car.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com Paperback Yoga http://www.paperbackyoga.com 147 Stanley Street http://www.147stanleystreet.com and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

Six Oysters Ahoy

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By Ed Staskus

“He was a very valiant man who first adventured on the eating of oysters.”  King James VI and I

“I checked the weather report,” said Frank Glass.

“What did you find out?” asked Vera Glass.

“It’s going to be the same today as it was yesterday.”

“Is it going to rain all day?” asked Vera.

“You don’t need a weatherman for that,” said Frank, throwing a glance at the window.

A steady rain was falling outside the large front window of the cottage, down on the long sloping lawn of the Coastline Cottages, on the Gulf Shore Parkway, on the three houses on the other side of the road, and out to the horizon as far as they could see. The sky was dark over Doyle’s Cove. Broad surfboard-sized waves worked up the water. When Frank looked out the northwest-facing kitchen window, the sky, where the weather was coming from, was even darker.

“What should we do? It rained all day yesterday. I’m getting cabin fever.”

“We could play cards, read, and talk among ourselves. How about dinner and a show?”

“That sounds good, especially the part about dinner,” said Vera. “Where do you want to eat?”

“There’s a show opening tonight at the Victoria Theatre.”

“All right, but what about dinner?”

“We could eat at the Landmark, it’s right there.”

“I’ve always liked the Landmark,” said Vera. “Eugene is a great cook. They have the best meat pies.”

“Somebody told me he sold it and there are new owners,” said Frank.

“What? How can that be? Eugene and Olivier and Rachel are gone?”

The Sauve family tree had repurposed an old grocery store in Victoria into a café restaurant in the late 1980s, adding a deck, digging a basement for storage and coolers, and expanding their dining space several times. They were a perennial ‘Best Place to Eat on Prince Edward Island’ in the magazine Canadian Living.

“It’s now called the Landmark Oyster House.”

“I love oysters,” said Vera. “Let’s go.”

It was still raining when Frank and Vera drove up Church Hill Road and swung onto Route 6, through North Rustico to Route 13, through Hunter River and Kelly’s Cross. It was still raining when they pulled into the small seaside town of Victoria on the other side of Prince Edward Island, on the Northumberland Straight side, 45 minutes later. It rained on them as they rushed into the Landmark Oyster House.

There wasn’t a table to be had, but there were two seats at the bar.

“Look, we’re right in front of the oysters,” said Vera, as they sat down at the closed end of it. “I love this spot.”

Kieran Goodwin, the bartender, agreed, standing on the other side of the bar, on the other side of a large shallow stainless steel bin full of raw oysters on ice.

“Best seats in the house,” he said. “They were going to put the bar in the front room, but the dimensions didn’t work out.”

“Who’s they?” asked Frank.

Vera looked the chalkboard on the wall up and down. The names of the oysters on ice were written on the board. There were six of them, Valley Pearl, Sand Dune, Shipwreck, Blackberry Point, Lucky Limes, and Dukes. She looked down into the bin. She couldn’t make heads or tails of which were which. She knew raw oysters were alive, more-or-less.

She wondered, how could you even tell?

“Greg and Marly Anderson,” said Kieran. “They own a wedding venue up the road.”  It is the Grand Victoria Wedding Events Venue, in a restored former 19th century church. “When this opportunity came up, when Eugene was looking to tone it down a bit, they decided to purchase it.”

“I worked at the Oyster House in Charlottetown shucking oysters for almost five years,” said Marly. “We heard that the family wanted to retire because they had been working at this restaurant for 29 years. We already felt a connection to this place and we are friends and neighbors with the family.”

“They’ve put their roots down in the community, are making their stand here,” said Kieran.

“I like what they’ve done in here, casual but upscale,” said Vera.

“It looks like the kitchen is more enclosed than it was,” observed Frank.

“Yeah, they did up a wall,” said Kieran. “When you used to walk in, you could peek right in.”

“I remember Eugene telling us once he learned all his cooking from his mom. Who does the cooking now?”

“Kaela Barnett is our chef.”

“We couldn’t do this without her,” said Greg Anderson.

Somebody’s got to have a steady hand on the ladle that stirs the soup.

“I’m thinking of doing oysters and a board,” said Vera.

“That’s a good choice,” said Kieran. “I recommend the large board. You get a bit of everything. I personally like getting some cheese.”

“Me, too.”

“Are you oyster connoisseurs?” asked Kieran.

“Not me,” said Frank. “I can’t remember the last time I ate an oyster.”

“I wish I was, but I love them,” said Vera. “We were on the island last year and went to the Merchantman in Charlottetown with Doug and Rachel, Eugene’s daughter. We had oysters and she went through all the ones we ate, explaining them to me.”

“Would you like something from the bar?” asked Kieran.

“I’ll take the Gahan on tap, the 1772 Pale Ale.”

“What wine goes with oysters?” asked Vera.

“We have a beautiful California chardonnay,” said Kieran. “It’s great with shellfish. I recommend it.”

“This is good, fruity,” said Vera, tasting it.

“We have six oysters,” said Kieran. “You could do one of each.”

“That’s what I’ll do,” said Vera.

“I think I’ll have the seafood chowder and some of the board,” said Frank.

“Oh, Frank, try one,” said Vera.

“Lucky Limes are my favorite,” said Kieran. “It’s a good medium oyster.”

“OK, I’ll try it,” said Frank, shrugging.

Kieran handed him a Lucky Lime.

“How do I eat this thing?” Frank asked Vera.

“Sometimes I chew it, sometimes I don’t,” she said.

“Some people like putting stuff on it, like horseradish, which kills the taste,” said Kieran. “But straight up is best. That’s how islanders do it, just shuck it.”

Frank looked down at the liquid-filled half shell.

“From the wide end,” said Kieran.

He slurped the oyster into his mouth and swallowed it.

“Now you’re a pro,” said Vera.

“That wasn’t bad,” said Frank. “How could you tell it was a Lucky Lime? They all look the same to me.”

“If you look at the chalkboard, it’s one through six. That’s one way.”

“Can you tell by looking at them?” asked Vera.

“I can tell by the shell,” said Kieran. “The ones that are more green, that means there’s more saltwater content. So this is a Sand Dune, quite briny. That one is almost straight salt water.” He pointed to an even darker greener shell.

“The Shipwreck, the name made me nervous to have it, but it was mild,” said Vera.

“It would be farther up the estuary, closer to fresh water.”

“Blackberry Point was very salty.”

“The Blackberry’s are from Malpeque, which is near Cavendish,” said Kieran. “The Sand Dune is from Surrey, down east, and the Lucky Limes are from New London Bay. Valley Pearl is from Tyne Valley and the Dukes are from Ten Mile Creek.”

“I thought you were just making all this up,” said Frank.

“No, its like wine,” said Kieran.

“How did you get into the shellfish racket?” asked Frank.

“I graduated in business, traveled, lived in New Zealand and Australia, and then came back home, and worked in a bank as a financial advisor for six years, in Summerside and Charlottetown, but then I just got tired of working in a bank, and went back to school.”

“How did you find your way here, behind the bar?”

“I date Jamie, who is Marly’s sister.”

“Are those pickled carrots?” asked Vera, pointing at the charcuterie board in front of her.

“Yes, and you have raisin jam, too,” said Kieran.

“Chutney, stop the madness!” exclaimed Vera. “Oh, it’s strawberry jam. It just looks like chutney. It’s delicious.”

“We had raisin pie at a small diner in Hunter River the other day,” said Frank.

“The one by the side of the road, up from the Irving gas station?” asked Kieran.

“That’s the one,” said Frank. “The waitress told us she always thinks of raisin pie as funeral pie, because back in the day, if there was a funeral in the winter, women always made raisin pies for the reception after the memorial service, because raisins kept all year round.”

“Can I take my oyster shells with me?” asked Vera.

“Sure,” said Kieran. ”We can get a little bag for you.”

“You can really taste the sea eating oysters,” said Vera. “Blackberry Point was a little thin and too salty, but once you eat one, and you don’t like it, whoa, what are you going to do? Valley Pearl didn’t have a lot of flavor, but there was some good texture to it. Lucky Lime was very good. My favorite was Sand Dune. It had a strong ocean flavor, briny.”

“I’ve heard people say oysters are slimy, but the one I had, it didn’t seem that way,” said Frank. “I can see having oysters again.”

“Don’t people sometimes say the world is your oyster?” said Vera.

“Do you want dessert?” asked Kieran.

“Do you have carrot cake?”

“It’s made here.”

“We’ll split a slice of that, and two coffees, thanks.”

As Vera and Frank dug into their carrot cake, there was a commotion at the other end of the bar. Kieran, Jamie, and Marly were huddling over glowing screens.

“Did your electronics go haywire?” asked Frank when Kieran brought them coffee.

“The microwave in the basement tripped the breaker. We hardly ever use it, except to melt butter sometimes. It’s weird, it’s been working until now. We have a thing that magnifies our wi-fi signal. We just found out it’s on the same circuit.”

“My mother was a pastry chef,” said Vera. ”She didn’t use microwaves much, but whenever she did, she always said, ‘I’m going to nuke it now!’”

Frank and Vera used their forks on the last crumbs of their cake and finished their coffee. Frank checked the time on his iPhone. “Time to go, sweetheart,” he said. They paid the bill and stood to go.

“Enjoy the show, hope to see you again,” Kieran said as Frank and Vera walked out of the Oyster House.

“It’s raining and sunny at the same time,” said Frank as they dashed across the street to the Victoria Theatre, yellow slanting sunlight leading the way.

“That’s PEI for you,” said Vera. “By the way, what are we seeing?”

“Where You Are.”

“I know where we are,” said Vera.

“That’s the name of the show,” said Frank.

“Aha, I see,” said Vera.

“Hustle it up, we’re almost late.”

They went up the steps into the theater, got their programs, and sat down. Vera tucked the bag of shells under her seat. “Wherever you are, there you are, oyster boys and girls” she thought, making sure they were safe and sound.

“How could you even tell?” she wondered as the lights went down and the show started.

Photograph by Vanessa Staskus.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com Paperback Yoga http://www.paperbackyoga.com 147 Stanley Street http://www.147stanleystreet.com and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

Gone Gros Morne

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By Ed Staskus

“The secret to acting is don’t act. Be you, with add-ons.” Michael Sheen

“I’m going to take off now,” said Leah Pritchard. “I’m going to go. I’m going to do what I want. I’m going to leave. That’s what’s going to happen.”

It was the tail end of her last year at Gros Morne Academy in Rocky Harbour, Newfoundland. Closing in on the end of theater studies with Sarah McDonald, the teacher pulled Leah aside. “Of all the students here, the one we think would be feasible as a professional actor is the one who’s always saying they don’t want to do it. You would be the one strong enough and talented enough to actually make it.”

Leah Pritchard had other plans. She was geared up and buckled down about joining the Mounties. She meant business.

When the class mounted their year-end play, everybody’s parents coming to see the show, Sarah McDonald rustled up Ross and Marion Fraser-Pritchard. She meant business, too.

“We’re going to put her in theater school at university, so that’s the plan,” she told Leah’s parents.

“My dad did not want me leave Newfoundland and he did not want me to be in the RCMP,” said Leah.

“Fine, great, we’ll keep her here,” said her father, despite himself and his wife both being Royal Canadian Mounted Police.

“I was still very angry about being in Newfoundland, about being moved around, leaving Nova Scotia.” She was 17-years-old. “I was a surly teenager, a willful child. I didn’t want to be here anymore.”

She turned 18 her first day three months later at Memorial University of Newfoundland. “She can’t get into the theater program right away, but we’re going to make sure she gets into it,” Sarah McDonald told Leah’s father. “She was my mentor,” said Leah.

In the meantime, she snuck into theater classes.

“I was hanging with my friends one day when I got locked in the class by accident when the professor came in. After I didn’t get called out for it, after a few weeks I started answering questions,” she said.

“Who are you?” Todd Hennessey, the teacher and Head of the Division of Fine Arts, finally asked her. “Do you take this class?”

“Um, no,” she answered.

“Don’t worry,” her friends told the teacher.. “You’ll meet her officially next year.”

In her last year at Memorial University she headlined Hard Ticket Theatre’s production of “Venus in Fur.”.Todd Hennessey directed the spooky two-person sex comedy. “It takes one heck of an actress to convincingly play a character who is regarded as being a fantastic actress, and Leah Prichard nails it,” wrote Rachael Joffred in her review.

The campus she attended was the Sir Wilfred Grenfell College at Corner Brook, where the bulk of the theater program was, and which is two hours from  Rocky Harbour. Wilfred Grenfell was an English doctor who opened hospitals, orphanages, and cooperatives one hundred years ago to serve the coastal inhabitants of Labrador and Newfoundland. He was an able-bodied doughty man. Once marooned on a slab of floating ice slob, he killed some of his dogs to make himself a fur coat in order to survive.

“They wanted to keep track of me, since I was just 18.” Two years later her mother was reassigned to RCMP Headquarters in Halifax. Her father took a post in the capital city, as well. Leah Pritchard stayed lived studied and worked in Newfoundland for the next nearly seven years.

Rocky Harbour is on the far western edge of Newfoundland. The town is home to Gros Morne National Park. There is a fjord lined with cliffs and waterfalls, formed by long-gone glaciers. There are caribou and moose, rainy moody fog-bound mountains, and the tablelands, where you can walk on the earth’s mantle. The landscape is ancient.

“If you ever see tourism commercials for Newfoundland,” said Leah, “there’s always this big fjord where somebody is standing with their arms outstretched saying, “Look at the world!’ That’s where I lived. You can spend a long time by yourself there. I ended up loving it.”

A native of Nova Scotia, Leah Pritchard grew up in Lower Sackville, a fast-growing suburb of Halifax. In the 1950s it was known for its drive-in theater, harness racing track, and WW2 bomber plane ice cream stand. It is today a family-oriented commuter community.

Her parents, now both retired, were RCMP policeman and policewoman. The Force, as it is known, is both a federal and national police force. It enforces the law on a contract basis in the territories and most of the provinces. In many rural areas it is the only police force. Its French acronym, GRC, is sometimes repurposed as Gravel Road Cops.

Despite its name, the Mounties is not an actual mounted police force anymore, although it still was in the 1930s when they brought the Mad Trapper of Rat River to justice.

Her grandfather was a RCMP officer. “It’s just a family thing,” she said. “It also makes you very popular in high school, let me tell you,” she added with a booming guffaw.

She is the youngest of five children. Her sister and two older brothers were adopted by her father when he was 21-years-old. “Their dad was a motorcycle cop and died on duty. My dad fell super in love with his widow and made a bold choice. The kids were 3, 2, and 1-years-old. The RCMP has always been a part of our lives. There’s a sense of honor and tradition.”

Growing up, the family moved whenever and wherever her parents were assigned. It was how they moved to Newfoundland, when her mother was made a detachment commander there. Leah spent most of her teen years in Yarmouth, on the Bay of Fundy in southwestern Nova Scotia. The seaside town is proximate to the world’s largest lobster fishing grounds.

“You get real accustomed to small town life real fast. There’s a lot of space in and around Yarmouth to get weird.”

No matter what efforts you summon to make sense of it, the world can still be a strange place. Small towns impart a sense of place, but often feelings of self-consciousness, too. It can mean the opportunity to create your own options out of the weird mix of things.

It is where Leah caught the acting bug.

“I was at a production of “Arsenic and Old Lace” at our high school when two of the actors started laughing hysterically on stage about something and couldn’t control themselves. I thought that looks like fun.”

She took fine arts and acting classes in both French and English. In lieu of lunch the drama students staged short one-act plays at a nearby small theater, declaiming their dialogue and handing out sandwiches to show goers who needed a bite. “We were just harmless theater geeks, so the teachers let us go and do that. I started spending all my time in theaters.”

Once in the acting stream at Memorial University she discovered the program was the only one of its kind in Atlantic Canada. It combined practical and academic training with small class sizes and one-on-one attention to detail by actors directors production professionals doubling up as faculty and staff.

“It’s a fabulous program, especially learning to handle Shakespeare,” said Leah. “The Newfoundland accent is the least bastardized accent in North America, the closest to what it would be in Shakespeare’s time. It’s got that time’s rhythm and music to it.”

Many Newfoundlanders work in classic theater, especially at Canada’s Stratford Festival, the internationally known repertory theater festival that showcases William Shakespeare. “The music is in our DNA,” said St. John’s native Robin Hutton, who has performed at Stratford for close to a decade. ”We can’t have a party without a sing song.”

Natives of ‘The Rock,’ as the province is sometimes known, who have worked at Stratford include Brad Hotter, Jillian Keiley, and Deidre Gillard-Rowlings. “We’re storytellers in Newfoundland,” said Brad Hotter. “Theater is a craft handed down, where you learn from people who pass it down from generation to generation.”

Leah Pritchard’s last semester at Memorial University was spent in England, taking master classes with working professionals and seeing shows in the West End and Stratford-upon-Avon. “You see as many plays as you can, you write reviews, and you rehearse a play. When you come back you put it up. It’s the culmination of all the work you’ve done the past four years.”

One of the plays she saw in London was “The 39 Steps,” accompanied by her brother, Ian, a six-foot-six lanky young man with curly ginger hair who at the time was also in the theater program. The show is a comic treatment of the Alfred Hitchcock movie. It is played for laughs, so Leah and Ian laughed their heads off

“Most people would unanimously agree that I’m a very loud person,” said Leah. “If I’m being quiet, there’s something wrong. Ian has an even bigger laugh, a booming laugh, not subtle, at all. We were there laughing our heads off, Eastern Canadians watching a comedy. Everyone around us was quiet. Somebody said, ‘That’s not why we’re here.’ English audiences are reserved. Come on! I said. That’s exactly why we’re here. Join in the jokes, please.”

Sometimes being the loud enough voice for quiet thoughts is what works. Leah sang with the Xara Choral Theatre Ensemble on their debut CD “Here On These Branches” about northern cultures, communities, and landscapes. It was nominated for best classical recording of 2015 at the East Coast Music Awards.

It’s what she does getting ready to go on stage every night, too. She sings to herself, pop jazz show tunes by Julie London, Ella Fitzgerald, and Julie Andrews.

Back in Newfoundland with a newly minted BFA in acting on her resume, she found work as a bartender, a nanny, and an usher. “I’d get up at 6 in the morning, nanny the three kids, drop them off at their family’s restaurant, jump into a shower, get into my uniform, and go usher at the Gros Morne Theatre Festival.”

She worked in a candy store to make ends meet.

“You eat a lot of candy,” she said.

She got a job at a dinner theater in Halifax.

“You gotta do it,” she said. “It’s like cutting your teeth.”

Madrigals in the Middle Ages were a kind of dinner theater. They made a comeback in the 1970s, featuring mysteries and musicals. Actors like Lana Turner and Van Johnson performed between appetizers and dessert. Burt Reynolds owned his own dinner theater.

“You’re a performer, but you’re a waiter, too,” said Leah. “You sing and dance and run off stage to pick up six plates on a tray, deliver them, and run back on stage. You get into wicked great shape doing it.”

The bane of dinner theaters is the hubbub. “You’re a waiter as well as a performer and you have to deal with eaters. But there isn’t a fourth wall. If someone starts talking on their phone, because they don’t really give a fuck about you, you can stop and say, do you mind?”

It’s best said with an upturned nose, mock haughtiness, and a snooty English accent. “It’s not like you’re in the middle of a soliloquy,” she said.

Breaking into the arts world is often a matter of catching a break.

”My first Equity gig was in the fall after I graduated, which is very lucky.”

In late 2013, another teacher from the university, Jerry Etienne, saw her in a remount of “Venus in Fur.” He has directed more than thirty productions as Artistic Director of Theatre Newfoundland Labrador and founded the Gros Morne Theatre Festival. When he signed on to direct “The Rainmaker” at the Watermark Theatre on Prince Edward Island the next summer he asked her if she would consider signing up at the same time.

“Yes, please,” she said.

She played the plain spinster in the drought-ridden story set in Depression-era America whose family worries center on her slim marriage prospects and their dying cattle. “Leah Pritchard tunes into the right emotional channel,” wrote The Buzz, Prince Edward Island’s arts and entertainment monthly tabloid.

Summer stock at the Watermark Theatre in North Rustico on the north central coast of the island means finding a place to live and a place to eat. “The stage manager and I roomed together for four years.” She ate at Amanda’s that became Fresh Catch that became Pedro’s Island Eatery when it was taken over by a Portuguese couple. “This village has been crying out for Pedro’s,” she said. “They give you so much food, delicious, and a beer. I get passionate about their haddock.”

Meanwhile, she worked up and down the east coast. “I’m very much an eastern girl,” she said. “I’d go insane without the ocean.”

In the spring of 2016 Leah appeared in “The Drowning Girls” at the Neptune Theatre in Halifax, a play about the real-life early 20th-century British wife killer George Joseph Smith, who married three women in succession and drowned all three in succession. “There was a lot of sitting in water for long periods of time. There was even a splash zone by the first row.“

Later that fall she played Balthazar in “The Spanish Tragedy” at The Villain’s Theatre in Halifax. All the actors were actresses in the new adaptation and the revenge story unfolded with a plentiful dose of black humor.

By the end of the summer season of 2017, after four seasons at the Watermark Theatre, she had appeared in productions of “Blithe Spirit” “The Rainmaker” “The Lion in Winter” “Romeo and Juliet” “An Ideal Husband” “The Glass Menagerie” and most recently “Mrs. Warren’s Profession” and the perky newlywed in “Barefoot in the Park.”

“The Watermark has been very kind to me,” she said. “I’ve gotten the opportunity to do Oscar Wilde and Bernard Shaw and Tennessee Williams.”

“Leah Pritchard and Jordan Campbell have genuine chemistry together, an innocent quality which is very watchable and perfectly suited to the play,” wrote Colm Magner in his review of “Barefoot in the Park” for The Guardian.

Some roles are more challenging than others.

“The Glass Menagerie was hard,” she said. “It was physically challenging, limping around, and I couldn’t figure Laura out, at first. She’s someone who lives inside herself, although as an actor on stage you can’t be too inside yourself. She’s a character who withdraws from the world, is quiet and reserved, and doesn’t want to be in confrontation. But on stage you need to be present, need to be seen, and need to be physically heard.

“It was weird.”

In the fall of 2017 Leah went on tour with Xara Choral Theatre’s adaptation of “Fatty Legs,” a children’s true story book about a plucky eight-year-old Inuit girl gone off to a residential school. “They called me Fatty Legs because a wicked nun forced me to wear a pair of red stockings that made my legs look enormous,” says the heroine. The larger theme is the cultural genocide of Canada’s defunct Indian boarding school system, which separated children from their traditional land, skills, language, and family.

Working with youngsters isn’t new for her. She has been a teaching assistant for Neptune Theatre’s youth theater workshops and led PEI Watermark Theatre’s youth theater acting conservatory for three summers.

Still a self-professed east coast girl, Leah Pritchard has recently moved to Toronto. The city boasts one of the liveliest theater scenes in the world, from major musicals at the Mirvish Theatres to Soulpepper, North America’s only year-round repertory company, to Buddies in Bad Times, the world’s largest and longest running queer theater.

“I want to be on the coast, but I understand the opportunities are in Ontario. I know what stages I want to be on and I’m going to keep working as hard as I can to get on those stages, by hook or by crook.”

Getting in the front door is easy to do if you’ve got a ticket. Getting in the stage door is hard to do if you’re an aspiring actor. Trying to make it in Toronto is a long uphill row to hoe.

“In Toronto no one needs to see you, no one needs to let you into the audition room, because there are thousands of you out there,” said Leah. “The way I approach my career is, there are thousands of good actors, but there aren’t thousands of me. There’s only one of me and they should be so lucky.”

Sometimes she tosses her head back when she laughs, like an actress from another time, a Myrna Loy or Angela Lansbury, who she bears a resemblance to. If she hasn’t laughed ten fifteen twenty times a day it hasn’t been a good day. “I get that I’m a young Angela Lansbury, a lot. I should be as lucky as that. I tell them I’m like a young old lady, not like how people are trying to be beautiful today.”

Looking ahead moving forward owning her career in the big city, she has several pokers in the fire, including Prince Edward Island. “It depends if there are roles for me in the plays they choose,” she said. “Five years in that theatre would be amazing. Even if they don’t, if I can manage a visit, the ocean, Pedro’s, it would be fabulous.”

She toured in the fall of 2018 with Xara Choral Theatre’s production of “Fatty Legs” reprising her work with the troupe.

This year she has found her way back to the Atlantic Ocean and Pedro’s Island Eatery and the Watermark Theatre for her fifth season, appearing in both summer shows, “Boeing Boeing” and “Crimes of the Heart.”

“She is very. very funny in ‘Boeing Boeing,'” said Robert Tsonos, Artistic Director at the Watermark.

“I’m always working to better myself as an actor,” she said. “I’m an independent artist, so I’m not desperate to be liked. I’m older, a little wiser, although maybe not very wise. I’m still only 28. How wise can a 28-year-old be?”

It”s not about to be or not to be.

It’s about the sharp-eyed actor on the way to doing what she wants who understands the first word line page in the manuscript of horse sense keenness awareness is about being unfailing about being you, adding-on but no second-handing and no pretending about what you’re doing to make yourself happen.

Photograph by Matthew Downey.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com Paperback Yoga http://www.paperbackyoga.com 147 Stanley Street http://www.147stanleystreet.com and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

Rock the Castle

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By Ed Staskus

There isn’t anything to be or not to be about “Kronborg – The Hamlet Rock Musical” as it kicks off the 55th season at The Charlottetown Festival on Prince Edward Island. It’s all about being, being in front and making it happen. There’s nothing indecisive about Hamlet. He’s got Claudius in his crosshairs nearly from the get-go.

Lawrence Olivier, who directed and starred in an acclaimed movie adaptation of William Shakespeare’s “Hamlet” in 1948, said it is “the story of a man who cannot make up his mind.” The Hamlet of “Kronborg” doesn’t have that problem. His world has been rocked. He has got to make up his mind.

Hamlet’s first song “That It Should Come To This” – sung by Island-born Aaron Hastelow, in a grim dazzling performance of a determined rather than irresolute prince – is performed right after the Ghost King has made himself known to Marcellus and Horatio, and Claudius and Gertrude have made themselves known to Hamlet. He soon has a good idea of the double-dealing he doesn’t know everything about, yet. From that moment on it is hands on the wheel.

The singing is brisk and strong throughout, from the leads to the ensemble. Peter McBoyle, the show’s sound designer, has worked on several musicals at the Confederation Centre, including “Jesus Christ Superstar.” The orchestra, led by Craig Fair, leading the way, gets it done down in the pit, always there as the story unfolds.

Aaron Hastelow gets it done up top up front as Hamlet.

“From seeing a ten-minute segment of the piece in a review show when I was 13-years-old, to now, it’s surreal,” said Aaron⁣. “I need to acknowledge the tireless work of Craig Fair, giving us all this chance, and Cliff Jones for writing some of the most beautiful and memorable melodies. After 45 years, it’s time to share this show with audiences once again. Let’s rock!”

The show starts off with a bang, at the end of the story, as the last of all the main characters, save Horatio, fall down dead, and a black-clad dance troupe of post-modern Greek Furies peck at the fallen, pecking out the vengeance of the Ghost King, Hamlet’s father

“To be or not to be” is never spoken. “Let it be” by The Beatles is invoked. There will be blood is what is on everybody’s lips.

Lawrence Olivier once also said, “Lead the audience by the nose to the thought.” It’s an unfortunate phrase. Who wants to be led by the nose to anything? It’s far better to smell it out for yourself.

“Kronborg” propels the audience headlong to its windswept thought on passages of brisk music and stirring song and able-bodied dance and crafty staging, the twisting plot turning high and low. There are barely two lines of dialogue strung together to transition the songs. It is in some senses like an opera, incorporating all the elements of spoken theater, but sung instead of spoken.

It’s unlike an opera, however, since every word can be understood, it never stands still for long to show off a singer, the songs being embedded in the story, and it is exciting as hell from beginning to end. It bursts with energy.

“It’s a story of family, power, revenge, and sacrifice,” said Adam Brazier, artistic director at the Confederation Centre of the Arts in Charlottetown, where the show was resurrected on their main stage, the Homburg Theatre, playing in repertory alongside both “Anne of Green Gables” and “Mamma Mia!”

It is by far the darker, and arguably the more galvanizing, show in town. There’s something both rockin’ and rotten in Denmark.  It’s been said about rock ‘n’ roll that the devil has all the best tunes and the devil is not going anywhere. It’s also been said that shake rattle and roll and three chords are where the truth is. Whatever the truth is, the show is masterminded, exact and sparkling, never slack, always on the go.

Only the Ghost King takes his time.

The set by scenic designer Brian Smith is German Expressionist, a kind of Cabinet of Dr. Caligari castle, ramparts, a ramp and movable stairs, and arched entranceways. A forest as bleak as prison bars is lowered several times, the trees jagged and menacing, no escape. The rest of the set is minimalist, from the overhead part medieval part modernist chandelier to Gertrude’s dressing room, more suggestion and more effective because of the suggestion.

Nothing in the background gets in the way of the song and dance and narrative in the foreground.

When Honeybelle – Nicola-Dawn Brook in a red beret and man the barricades – and the players of the play within the play belt out the gospel inspired “He Got It In the Ear,” the fulcrum on which the plot rests tilts and everything becomes the gospel truth.

Hamlet, Claudius, Gertrude, Laertes, and Ophelia pour their hearts out in “I Cannot Turn to Love” at the end of Act One. It ends suddenly. The stage goes dark.

You can’t wait for intermission to be over.

The musical was conceived and written in the early 1970s by Cliff Jones, He wrote it while working on the children’s TV show “Mr. Dressup.” A Toronto composer and lyricist, his original “Hamlet: The Musical” has been reprised several times. It played on Broadway in 1976 as “Rockabye Hamlet,” starring the rock star Meat Loaf.

It came back to PEI in concert form in 2017 in at the Indian River Festival. Cliff Jones was in the audience. Following the production at St. Mary’s Church, another concert was performed at the Confederation Centre. Shortly after that the wheels were set in motion to stage the show again.

“It’s back where it began and where, in my mind, it’s always belonged,” Cliff Jones said about the production at the Charlottetown Festival.

“When people on the Island found out that Craig Fair and I were working on “Kronborg” they all had their own story,” said Mary Francis Moore, directing the show.  “Who brought them to the show in 1974? What seat they were sitting in when they heard Cliff’s score. What it was like to work on the first Canadian show to ever make it to Broadway.”

The musical is more than just a piece of the Charlottetown Festival’s history.

“We recognize the significance the piece plays. We have dusted off the pages to create a re-envisioned production that has been fully re-orchestrated and re-arranged – new life breathed into this Canadian classic.”

The composer sat in on some of the rehearsals. “I saw what they were doing with this incredible company and with Craig Fair’s new arrangement and musical direction,” said Cliff Jones. “I’m thrilled. It’s been framing my life for the last 45 years. It’s renewed me.

“The show has always carried a special combination of being a fun, entertaining experience, but also being faithful to Shakespeare’s story.”

Kronborg is a 1400s stronghold castle in Helsingor, Denmark, that became Elsinore in Shakespeare’s late 1500s tragedy in five acts. “Kronborg – The Hamlet Rock Musical” is in two acts. Not a moment is wasted, but all the key moments are there, from the Ghost King to setting the scene of Gertrude and Claudius’s marriage, Claudius getting suspicious and Hamlet’s turmoil, the king’s plotting and the play within the play, Hamlet inadvertently killing Polonius, the banishment and the tragic climax.

There is even some ribald fun along the way, especially when a freshly re-imagined Rosencrantz and Guildenstern make their appearance. They aren’t what you expect. They are nimble and treacherous, like street cats on the prowl.

Claudius is on the prowl, too, as Act Two starts, aware of the grave threat that Hamlet presents, and he conspires with Rosencrantz and Guildenstern to solve the problem. Gertrude – played by Alana Hibbert – big league but tottering by then, sings the first of her two affecting prophetic solo’s, “Somebody Wrote the Wrong Words,” as fate speeds up.

Laertes and the full company sing “Eye for an Eye” and the die is cast.

It all comes down to Claudius and Hamlet.

Costume designer Jeff Chief doubles the king and his step-son, both men in black, both lean and mean, although Hamlet is largely in wool-like fabric, softening the effect, keeping him on the side of flesh and blood, while Claudius is largely in leather, making him more reptilian. Claudius is Axl Rose meets Johnny Rotten meets villainy most foul.

The costumes are severe, Edwardian mixed with some Mad Max, while the female leads are often more flowing, leaving trails streaking behind them as they cross the stage. Anachronistic pants are used to good effect, especially when the doomed Ophelia jumps into the lap of the standing Hamlet, straddling him, hanging on for dear life.

Cameron MacDuffie, a veteran of the Centre who describes himself as a man who “lives out past where the sidewalk ends,” plays Claudius as a man who doesn’t give a damn about sidewalks. He is self-aware, as most of Shakespeare’s wrongdoers are, and not beneath self-pity, but his self is more selfish and slyly arrogant than it is anything else. He is the king and the kingdom is his person. Beyond him, nothing matters.

It is an astonishing performance.

When Gertrude sings “No Use Pretending,” which might be one of the best songs of the musical, and is certainly the most moving, near the end of Act Two, she is singing for herself, but for everyone else, too. Polonius and Ophelia are dead. The roof is about to cave in on everyone’s heads.

Fight director Anita Nittoly stages the penultimate sword fight between Hamlet and Laertes Robin Hood-style, lithe and desperate. It is thrilling and horrible, knowing there is poison. When the end comes only Horatio is left standing, and joined by the Ghost King in the ramparts, bears witness to what becomes of treachery and revenge.

“Kronborg – The Hamlet Rock Musical” breathes new life into a play more than four hundred years old, and dirty work as old as time. It resonates because it speaks to our own times.

“A nefarious transition of power has taken place in Denmark and the future is uncertain,” says Adam Brazier. “It is a story that is eerily familiar to the current landscape of the world at large.”

Early in Shakespeare’s play, in Act One, Scene 4, Marcellus says, “Something is rotten in Denmark.” The Hamlet of “Kronborg” doesn’t worry about to be or not to be. Something has got to be done. He rocks the castle to get the rot out. He gets it done.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com Paperback Yoga http://www.paperbackyoga.com 147 Stanley Street http://www.147stanleystreet.com and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

Walking the Plank

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By Ed Staskus

“Just sit right back and you’ll hear a tale, a tale of a fateful trip.” Gilligan’s Island

“I’ve sailed my whole life,” said Michelle Boyce.

A native of London, Ontario, where she grew up, where her father worked for the Board of Education, Michelle raised her own children in Aylmer, a half hour down from London and less than a half hour from the north shore of Lake Erie. There is plenty of sailing from Port Dover to Long Point to the Port Stanley Sailing Squadron. It is Ontario’s south shore.

It isn’t Margaritaville, but it’s laid back. In Port Stanley, on the shoreline, making yourself at home with lemonade or a cold beer on GT’s Beach patio, making time is watching the town’s drawbridge go up and down. Lift bridges can get stuck up, but that’s the only thing stuck up in town.

“At one time we owned five sailboats,” she said.

“The kids and I used to sail across the lake to Cedar Point every summer. My daughter and I are roller coaster fanatics. We would spend a week in the harbor at Cedar Point and then sail back home.”

During the day cannons can be heard when pirates attack riverboats at the amusement park.

Although she still calls her neck of the woods home, where she spends half the year, the other half of the year she now spends on Prince Edward Island. The country’s smallest province, PEI is almost a thousand miles east of Canada’s seed corn hinterland.

“Sailing to PEI, it got really bad before it got really good.”

It started when Michelle, her kids, and her partner, Monika Chesnut, went to Prince Edward Island in 2008.  They went for a wedding. They liked what they saw.

“We fell in love with the island. We felt at home there, so on the way home we tossed around ideas about how we could spend more time on PEI. We’re an entrepreneurial family. We dreamt up the sailing business.”

The sailing business is Atlantic Sailing PEI, weighing anchor out of North Rustico on the north-central coast of the island. The three-hour cruises start at the dock, boarding the only sailboat in the harbor, turning out to sea, looking for dolphins and whales. The sunset sails are on the romantic side.

It’s OK to bring a bottle of champagne and get cloud nine.

Two years after first setting foot on PEI, Michelle and her daughter Jessica took the first step toward turning their dream into reality. “We knew nothing about the marine industry on PEI, but we went ahead,” said Michelle. The person with a vision is often more single-minded and hale than somebody with all the facts.

The facts can be helpful, though, sooner or later.

“We went on a sailing trip, from Lake Erie, across Lake Ontario, and up to Montreal. We spent a couple of weeks there and went up the river to Ottawa. Near there we stopped at a marina and found a 38-foot boat we fell in love with.”

The name of the boat was Folie. It was going to be the boat Atlantic Sailing PEI would sail the starry-eyed to idyllic sunsets on the Gulf of St. Lawrence. It wasn’t meant to be, however, maybe because folie is a French word meaning, more-or-less, delusional.

“It can also mean crazy mad person,” said Michelle. “The gentleman we bought it from was 90-years-old. He had sailed it to the Caribbean and back. He had pictures. I don’t know how he did it without dying.”

Folie is a 1960s-era strong as an ox medium-sized cruising yacht capable of offshore passage. It is a serious no-nonsense boat. The first fiberglass sailboat, the Chinook 34, was built in 1956. “Who built the Folie had no idea how thick they had to make the fiberglass,” said Michelle. “They decided they had to make it as thick as wood. The thing was built like a tank.” Since indestructible is what they ended up needing, indestructible ended up standing them in good stead.

Michelle Boyce knows her ragtops, from stem to stern. She knows what makes them go, and she knows the free enterprise end of them, too. “When Detroit was going down, I used to buy sailboats there, sell them, and sail them all over the Great Lakes to the people who bought them.”

The first thing she did to the Folie was replace its engine. “Everything on that boat was end of life.” The engine was a Universal Atomic 4, last manufactured in the early 1980s. The Atomic 4 used to be the Utility Four, used extensively during WW2 to power lifeboats.

“I found a brand new one in a barn in northern Ontario, still in its shipping crate from the factory,” said Michelle.

After the new motor was installed, she and her daughter set off for Prince Edward Island. They planned on the trip taking two weeks, sailing to and around the Gaspe Peninsula, down the New Brunswick coast, and landing on PEI at Northport. They began accepting on-line reservations for summer cruises.

They got to Northport seven weeks later.

Halfway down the channel out of their first harbor their new Atomic 4 started to overheat. “She was red-lining on the temperature gauge. There was nothing we could do. I couldn’t stop in the middle of the channel.” They raced the boat out to the St. Lawrence Seaway, shut off the engine, and threw out the anchor.

“We spent the next five days in the middle of the seaway fixing the boat.”

The engine was undamaged, but the hoses carrying the coolant to the engine had melted. “The gentleman I bought the boat from had used crappy transparent hosing that you use for fish tanks. Fortunately, I’m anal about repairs, and I had another boat on the boat.”

One rule of thumb on the high seas is, whatever it is, if you can’t repair it, it probably shouldn’t be on board in the first place. The other rule is always have spare parts.

No sooner, however, did they make it through the Iroquois Canal lock, when the boat floundered again. This time the impeller melted. “The old gentleman was also anal, and he had left spare parts scattered all around the boat, so every time we broke down, it was a scavenger hunt. We knew he had one on board, but where?”

They found it, because they had to. In the event, ‘Regulations Governing Minimum Equipment & Accomodations Standards’ state that the owner, or owner’s representative, the captain, “must ensure that all equipment is properly maintained and stowed and that the crew know where it is kept and how it is to be used.”

After replacing the water pump, they sailed down the seaway, staying on the cruising side of the buoys, cruising the wide river. They kept the engine quiet, not dousing their sails, keeping them set to the way they were going.

It was a windy day, the waves like rippled potato chips, leaving the last lock outside of Montreal, when their steering went. “The boat would only turn right. It wouldn’t turn left. We were heading for a sandbar. One of the locals in his boat beside me was screaming, ‘Turn, turn, turn, you’re going to hit ground.’ We hit ground and came to a stop.”

“Only two sailors, in my experience, never ran aground,” observes Dan Bamford, a veteran sailor. “One never left port and the other one was an atrocious liar.”

“A cable fastener broke,” said Michelle, “which was a minor happening of all the happenings. We plugged a hand tiller on, but we were still stuck on the sandbar.”

She took a low-tech approach to the problem. Michelle had lowered the sails, but now got them back up, and when the wind blew into them it threw the boat over. “The wind in the sails took the boat off the shallow water,” she said.

“The goal is not to sail the boat, but rather to help the boat sail herself,” John Rousmaniere, one time editor at Yachting magazine, has pointed out.

They pulled into a marina, filled their tank, and got started, except they couldn’t get going. “They filled our tank with dirty gas. I got it running off a jerry can, running a hose directly from the carburetor to the can, bypassing the tank on the boat. But then, we weren’t twenty minutes out of the harbor when we picked up a rope on our prop.”

She was done with problems for the day. “The wind was going in the right direction, so I just threw up the sails and we sailed from Montreal to Quebec City.”

They ended up floating in one spot off Quebec City for five days. “The wind died and we had no propulsion,” she said. “Our cooler went warm and we were eating dry reserves. We didn’t have any idea the tides were going to be 24 feet. There was either a 10-knot current going this way or a 10-knot current going that way. The current was so crazy there was no rowing our dinghy to shore. We couldn’t dive under the boat to get the rope off our prop, either, too much current.”

When the wind finally picked up slightly they slowly hove into a marina on sail power.

“My daughter chickened out, and so even though my holding my breath under water days are long past, I dove in and got the rope off the prop.”

At the next marina they followed a friendly local in. He had a sailboat similar to theirs. He waved to them. “We’re fine following you,” she shouted across to him. “You’ll be safe,” he shouted back.

He got stuck.

Then they got stuck.

“Fortunately we were stuck in mud and stayed afloat,” said Michelle. “He ended up on dry land. “

The next day, having gotten unstuck, back on the St. Lawrence, they fought a following sea all day. “The waves behind you throw your boat this way and that. It’s hard to steer. At the end of the day I was exhausted.”

It might be why she misread her charts.

“I thought I was in 25 feet of water at low tide. Actually, I was in 25 feet of water at high tide. The water all disappeared in the middle of the night. My daughter and I were sound asleep when, all of a sudden, BANG! We were sideways.”

Waking up with a start, she saw their cats, Cali and Pablo, jump from the bed to the wall, which was now the floor. “They were totally confused.”

Keeping her wits about her, she remembered a story the man they bought the boat from had told them, about the same thing happening to him in the Caribbean. “He just went to sleep when it happened, the water came back, and it was fine. So, that’s what we did. We made a bed on the wall and went to sleep.”

In the morning the tide came in and the Folie floated up and away. “It is a tough, tough boat,” said Michelle. ”It was fine. We had pretty much worked out the bugs by then.”

At least, she thought so. “A tale of a fateful trip, aboard this tiny ship, the mate was a mighty sailin’ lad, the skipper brave and sure.” Assumptions, on the other hand, are like termites.

They picked up Monika, her partner, at Riviere-du-Loup, a city near where boats turn towards Atlantic Canada. One of the best places for whale watching in the world is at the Saguenay-St. Lawrence Marine Park offshore from Riviere-du-Loup. Beyond the small town are scattered even smaller towns hugging the coastline, and lots of forest.

“Every so often you’ll see a town and a church steeple. There were almost no other boats around, just the three of us on the Folie, when a superfast black Zodiac came on our horizon. He circled me until he got behind me, and started coming up my wash.”

There were no markings on the Zodiac. There were four men, clad in black, on the boat. Michelle got on her radio.

“Vessel approaching, please identify yourself.”

There was no response.

She tried again. There was no response. She tried the Coast Guard. “I have a vessel of unknown origin approaching me, unknown intent, mayday, mayday.” There was no response. She grabbed her flare gun.

“He was coming up my tail. Pirates are a real thing,” she said. “Since we’re a floater, our decks were lined with water and gasoline cans. I had a pirate plan, which was open a gas can, throw it at them, and shoot the flare gun, lighting them on fire.”

It was when they came within range, the flare gun cocked, that the blue lights on the boat blinked on. It was the police.

“Slow down,” one of the policemen shouted.

“Whatever,” Michelle muttered.

“Where are you going?”

“Prince Edward Island.”

“Where are you putting into next?”

“There,” she said.

“Where’s the man on board?”

“Pardon me?” The man on board was news to her.

“You guys are by yourselves?”

Michelle. Monika, and Jessica looked from one end of the boat to the other. “The cops finally left us alone.” The Zodiac sped away and the Folie got back on track. Time was their enemy.

“The whole time we had all these bookings in North Rustico. We were booked solid. Every single day I wasn’t on the island I was hitting the refund button.”

They hadn’t got much farther when their alternator blew, stuff started to seize, belts got red hot, and smoke filled the boat, which ended up sideways to the waves. “We instantly got into our deal with it mode.” Jessica ran the jib up, Michelle stabilized the boat, the smoke cleared, and they found a spare alternator, although they were starting to run out of the other boat on the boat.

By the time the Folie flooded a few days later she was already starting to wonder what the difference is between an ordeal and an adventure.

They had dropped Monika off near Dalhousie, New Brunswick, so she could pick up her car and rendezvous later on PEI, when they noticed with a jolt that the boat was half full of water.

“It still wasn’t over!” said Michelle. “One of the grease fittings, a cap at the prop shaft, had popped, and water was shooting into the boat. The bilge pump was pumping like crazy, but it couldn’t keep up.”

It was sink or swim.

She grabbed a length of rubber hose, some clamps, and a broom handle. She stuffed the handle into the rubber and stuffed the works into the hole. “I clamped it tight so water would stop coming into the boat.” They pumped the seawater out, but by then it had gotten into the engine oil. “It turned it into chocolate mllk. It was like a chocolate milkshake.” They sailed to open water, threw the anchor out, and the next day replaced the oil.

They could see the oxidized red of Prince Edward Island in the far distance.

Taking it easy in a bay one morning, having coffee, they watched baby belugas approach the boat. They are sometimes called sea canaries because of their high-pitched twitter. Big whales were blowing in deeper water. A herd of seals slipped in close to the sailboat.

“The cats were running around the boat,” said Michelle. “The seals were lined up beside the boat, their noses stuck up, and the cats were on top of the boat with their noses stuck down, trying to figure each other out. It was like first contact.”

When they once and for all pulled into Northport on the west end of Prince Edward Island, they were beyond a shadow of a doubt on the island.

“I’m not a quitter,” said Michelle.

That is when they found out the harbors they were going to sail in and out of were too shallow for the Folie’s keel. They also found out there wasn’t a crane-lift big enough to lift their sailboat out of the water. It couldn’t stay where it was. Boats on PEI get winterized in the fall and summerized in the spring. Setting and forgetting your pride and joy from January to April in the water is leaving your boat on the frozen hot seat.

The first thing Michelle did was to channel the Professor, one of those marooned on Gilligan’s Island. A science teacher, he could build anything, hammocks and houses, so the castaways could live comfortably. He rigged up washing machines, supplied water, and generated electric power, using nothing but indigenous coconuts and bamboo, although he was never able to repair the Minnow.

“The hole on that boat defies all of my advanced knowledge,” said the Professor.

Michelle built her own 10-ton hydraulic trailer with which to back up, get under the Folie, pick it up, and carry it away.

“There must have been thirty guys standing around there watching being brutal.”

“Do you know what you’re doing?”

“That’s not going to work.”

“You’re going to kill yourself.”

“Are you sure that’s going to work?” asked Monika, who had joined them, getting butterflies.

When she had the boat on the trailer and the trailer hooked up to her pick-up, and was driving the boat away, to be stored away safe and sound and out of sight in Summerside for the unforeseeable future, none of the bystanders were there anymore.

“They scattered like flies,” she said. “Not one of them was there for I told you so.”

The second thing she did was drive home to Ontario, pick up her 29-foot sailboat, the Calypso, and haul it back to land’s end, across the Confederation Bridge, and to North Rustico.  To this day the Calypso is Atlantic Sail PEI’s bread and butter, three cruises a day, private charters, and special events.

“Awesome experience,” said Donna Burgoyne.

“Monika and Michelle were fabulous hosts, very knowledgeable,” said Andre Pelletier.

“Elle nous fait decouvrir la faune marine et les magnifiques paysages de PEI,” said Sabrina Bottega. “Avec Michelle, c’est super capitaine.”

“The Folie drained us, in more ways than one,” said Michelle. “It almost bankrupted us. We had to refund tens of thousands of dollars, although we ended up doing some tours at the end of the season.”

Before landing at Northport, they spent the day anchored off West Point. “It’s where all the windmills are,” said Michelle. It’s where ship yards built sailboats long ago. It’s where sightings of a sea serpent still happen. It is where buried treasure is reportedly buried, still a secret.

Michelle made herself at home on her back in the sun on the deck while Jessica lolled at the stern.

“There is nothing like lying flat on your back on the deck, alone except for the helmsman aft at the wheel, silence except for the lapping of the sea against the side of the ship,” Errol Flynn once said.

The three-bladed wind turbines on West Point go around and around. There are 55 of them, rock steady as long as the epoxy sails stay full, at the West Cape Wind Farm. Tilting at windmills is quixotic, like running in circles. But if you can stay the course, and square the circle, making your energy making it a go, you might end up where you wanted to be all along.

When Michelle Boyce stepped off the plank she landed on the sure-footed red sandstone of Prince Edward Island.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com Paperback Yoga http://www.paperbackyoga.com 147 Stanley Street http://www.147stanleystreet.com and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

Dressed to Kill

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By Ed Staskus

“Just let the wardrobe do the acting.”  Jack Nicholson

“This is my first time doing an internship like this, and it’s inspiring to be working in the field and getting the experience in an actual theater,” said Rachel Farmer.

It was last May last year and Rachel was starting as the new kid on the block at the Watermark Theatre in North Rustico on the north-central coast of Prince Edward Island. A local girl – “I was born and raised on PEI” – she participated in musical theater with dance umbrella throughout high school, and two years further on was studying costume design at Dalhousie University in Halifax, Nova Scotia.

The Watermark was her first young foot in the door.

“I did most of the smaller tasks,” she recalled six weeks later as the summer season at the playhouse got underway with “Dial M for Murder.”

“I tried to do some of the dirty work, but it is a rite of passage,” explained Julia Hodgson-Surich, Rachel’s supervisor and mentor, about the labors of internship.

Interns used to be apprentices, although it amounts to the same thing, working at an occupation or trade for little or no pay in order to gain experience. Getting involved, not necessarily cracking the books, is often the best way to get the hang of things. The professional is an amateur who didn’t quit.

“It is an intern’s job to go for coffee for anyone who asks, delivering it hot and cupped in your bare hands,” Kurt Braunohler, the host of podcasts on the Nerdist Network, said about learning the ropes.

There are several imperatives interns have to follow. When uncertain, always ask, be a team player, keep a notebook, and be early, not just on time. You don’t have to be the last to leave, but don’t be the last to get there, either.

Pay attention to everything the big cheese says. Don’t complain, ever. Just don’t.

“I was Julia’s right hand,” said Rachel. “She tackled the main important stunning pieces. I worked on the suspender buttons.”

“I did manage to get her to sew all of the suspender buttons on the pants,” admitted Julia. “I’ve done that thousands of times myself. It’s how she’s going to learn to do it perfectly.”

“The handsome costumes do much to recall the postwar boom years,” wrote The Guardian in its review of “Dial M for Murder,” which sold out for most of its run.

When actors are getting into character, they are often soaking in what they are turned out in. They become what they are wearing. If you are wearing a banana suit, you become a very funny barnstormer on stage. There is no getting around it.

“She didn’t just shove me into the deep end,” said Rachel. “She helped me through everything.”

“I’m not as evil as some designers,” explained Julia. “I went easy on her for the first fitting. It was only after that that I expected perfection.”

Even though internships are often a chunk of paycheck short of real jobs, interns have to show their commitment and go the extra mile, doing everything to a T. It’s the small things that make up perfection, and perfection is no small thing.

“She assisted me,” said Julia. “When I needed a stage pin, she had it. When I said, these pants need to come in three inches, she wrote it down and got it done. We made sure everything fit immaculately.”

“The costumes by Julia Hodgson-Surich were classic and functional, with smooth lines and fabrics audience members will want to touch,” wrote Jane Ledwell in her review in The Buzz.

“We did fittings with each actor for each costume,” said Julia.

Seamstresses and costumers work with everyone from the actors to the director. The show has got to look real. Otherwise, it won’t feel real. Theater might be make-believe, but it’s got be in the flesh to make believers of the audience.

Would Superman even be Superman without his cape and costume? Would anyone believe him if he said he was Superman? No, he would just be Clark Kent, just another Joe behind a pair of glasses.

The costume department at all theaters is responsible for the purchase, design manufacture, fitting, continuity, and care of all the costumes. They create the look and mood of much of what is seen on stage. They need to be able to draw their designs, know how to translate creative vision into something more than the king’s new clothes, and know their fabrics and how to render and integrate them into the visual style of the play.

“Dial M, 1950s, everything was tailored, and some were handmade, some vintage pieces,” said Julia. “We had to order hats from England. Rachel did the alterations on the blue dress that’s at the top of the show. We made it fit like a glove. The actor could still breathe, but barely.”

At the Watermark Theatre they swap with other regional theater warehouses, since they don’t have the time or budget to make everything from scratch, and period pieces in the first and last place are hard to find.

“We go to thrift stores, looking, all the time,” said Julia.

“Seeing an actor’s face light up when we show them what they are going to wear is great,” said Rachel. “It’s the thing that makes them feel confident and in character and ties everything together, the props and set and story.”

This year’s Costume Designer at the Watermark Theatre, Julia was last year’s Head of Wardrobe. She is a designer, seamstress, and textile artist based in Toronto. “I use a lot of what I’ve learned in weaving and knitting, dying fabrics, and textile art,” she said.

She collaborates with the Cactus Sewing Studio and designs her own line of handmade clothing.

The theater runs in her family.

“I started as an intern, when I was 14-years-old, working in wardrobe at a theater my mother was a production manager at,” said Julia.

It was the Grand Theatre in London, Ontario.

Although her father, Bill, was born on Prince Edward Island, she grew up in southwestern Ontario. Her mother, Andrea, has long worked in live theater. Her father fabricated sets for theaters across Canada before becoming a metal sculptor. His installation ‘Trees of the Carolinian Forest’ is in downtown London. A display of his Christmas sculptures is set up every year in Victoria Park in the center of town.

“I started as a sewer, and when I was done with high school, at 18, I started working as a professional. I was promoted to cutter.” She’s been working ever since. “My journey has not been with school. It has been entirely apprenticeships.”

Julia Hodgson-Surich’s contract last year expired as the season at the Watermark Theatre was starting. She was making ready to be on her way. “I don’t have anything on the horizon, but if it comes up, OK, let’s do it.”

Theater professionals are always on the move, looking for their next opportunity. What makes them professionals is knowing how to cope with not knowing where their next paycheck will be coming from. In the meantime, they keep their noses to the wind, staying in touch with what productions are going on and where.

She had been working on the new season’s shows at the Watermark since March. “We talk on Skype, have production meetings in Toronto, so that we’re all on the same page. I did sketches, collected things, came to PEI, met Rachel, and basically, ‘Let’s go!’”

When she took leave of the theater, she left Rachel in charge of the costumes and the dirty work for the next eight weeks.

“She’ll do the repairs, because after every show something is broken. She’ll do the laundry. She’ll be the dresser, making sure the actors look the way they’re supposed to look every single night. It’s a lot of work. I appreciate that I don’t have to do it.”

“I came into it thinking I was a fish out of water,” said Rachel.

She had been a fish out of water not long beforehand, but she was a quick study.

“I was originally planning on going into acting,” she said. “But I realized watching movies and plays, what I loved were what costumes were being worn, and I should probably just go into costumes, so I did.  When I got to Dalhousie, though, it was intimidating, because I had six month’s experience on one outfit, and all my classmates had been sewing since they were 4-years-old.”

If we knew what we were doing, it wouldn’t be called learning. There wouldn’t be internships. There wouldn’t be mentors.

At the Watermark Theatre the costumers work in the basement. “It’s a tiny little room at the end of a hallway,” said Julia. “We have a window, but it looks out underneath the deck.”

“I love making things,” she said. “We get to sew, work with our hands. I wanted to do it since I was small. I grew up in a theater family. Babysitting was me sitting in a lightbox watching a show. I didn’t understand it, although I just loved costumes.”

The small room in the basement is where most of the mentoring goes on.

“Mentoring cuts into my work,” said Julia, “but it’s worth it. It’s rewarding. I prefer someone I can talk to, tell them what I’m up to, because then I’m talking it through. Sometimes I find out that I’m actually not doing the right thing.”

Talking things through, getting another’s perspective, often helps you to see issues more clearly, and gets your own thoughts off the same old track.

“I don’t want anyone to suffer, either. If I sense someone is having trouble with a hem, or a machine isn’t working and they’re rethreading it over and over, I will help. I won’t just let them flounder.”

“I’ve gotten so much out of it, and the Watermark is a wonderful theatre,” said Rachel.

”Everybody feels like they are a close-knit family here. You feel like everything you do has significance, like you’re not being swallowed up by the whole production, and you matter in the great cog scheme of things.”

This summer’s shows at the Watermark Theatre are the classic farce “Boeing Boeing” and the Pulitzer Prize winning play “Crimes of the Heart.” Even though “Crimes of the Heart” is premised on a murder, it has been described as “an evening of antic laughter.” The wardrobe department may not be getting the actors dressed to kill like they were in “Dial M for Murder,” a spine-tingler rather than a laughfest, but they will still look their part in their new parts.

In the middle of the fun on stage this summer they will be dressed to kill.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com Paperback Yoga http://www.paperbackyoga.com 147 Stanley Street http://www.147stanleystreet.com and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

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